Gerald Massey (29 May 1828 - 29 October 1907) was an English poet and self-styled Egyptologist. He was born near Tring, Hertfordshire in England.
Massey's parents were poor. When little more than a child, he was made to work hard in a silk factory, which he afterward deserted for the equally laborious occupation of straw plaiting. These early years were rendered gloomy by much distress and deprivation, against which the young man strove with increasing spirit and virility, educating himself in his spare time, and gradually cultivating his innate taste for literary work.
"During the later years of his life, (from about 1870 onwards) Massey became interested increasingly in Egyptology and the similarities that exist between ancient Egyptian mythology and the Gospel stories. He studied the extensive Egyptian records housed in the British Museum, eventually teaching himself to decipher the hieroglyphics."
Massey's first public appearance as a writer was in connection with a journal called the Spirit of Freedom, of which he became editor, and he was only twenty-two when he published his first volume of poems, Voices of Freedom and Lyrics of Love (1850). These he followed in rapid succession with The Ballad of Babe Christabel (1854), War Waits (1855), Havelock's March (1860), and A Tale of Eternity (1869).
Many years afterward in 1889, Massey collected the best of the contents of these volumes, with additions, into a two-volume edition of his poems called My Lyrical Life. He also published works dealing with Spiritualism, the study of Shakespeare's sonnets (1872 and 1890), and theological speculation.
Massey's poetry has a certain rough and vigorous element of sincerity and strength which easily accounts for its popularity at the time of its production. He treated the theme of Sir Richard Grenville before Tennyson thought of using it, with much force and vitality. Indeed, Tennyson's own praise of Massey's work is still its best eulogy, for the Laureate found in him a poet of fine lyrical impulse, and of a rich half-Oriental imagination. The inspiration of his poetry is essentially British; he was a patriot to the core.
In regards to Egyptology, Massey first published The Book of the Beginnings, followed by The Natural Genesis. His most prolific work is Ancient Egypt: The Light of the World, published shortly before his death. His work, which draws comparisons between the Judeo-Christian religion and the Egyptian religion, is not considered significant in the field of modern Egyptology and is not mentioned in the Oxford Encyclopedia of Ancient Egypt or any other work of modern Egyptology.
There lives a voice within me, a guest-angel of my heart,
And its sweet lispings win me, till the tears a-trembling start;
Up evermore it springeth, like some magic melody,
...
AT the Last Day while all the rest
Are soundly sleeping underground,
He will be up clean-shaved and dressed
An hour before the Trumpets sound.
...
FATHER in Heaven, we seek Thy face
When darkness is our dwelling-place.
Our foolish hearts, that daily roam,
...
THERE is no gleam of glory gone,
For those who read in Nature's Book;
No lack of triumph in their look
Who stand in Her Eternal Dawn.
...
THE stream of Life that brimmed its banks of old,
We drain to gather Wisdom's grains of gold;
And often as we count the riches o'er,
...