When love was a question, the message arrived
in the beak of a wire and plaster bird. The coloratura
was hardly to be believed. For flight,
...
Dark still. Twelve degrees below freezing.
Tremor along
the elegant, injured right front
...
For Karen
I think you must contrive to turn this stone
on your spirit to lightness.
...
Linda,
said my mother when the buildings fell,
before, you understand, we knew a thing
about the reasons or the ways
...
Emanuel de Witte, 1653 [?]
And you, friend, in a footnote, thanked
for kindly
inspecting the date “under magnification,” who
...
It had almost nothing to do with sex.
The boy
in his corset and farthingale, his head-
...
A kind of counter-
blossoming, diversionary,
doomed, and like
the needle with its drop
...
As when, in bright daylight, she closes
her eyes
but doesn’t turn her face away,
...
If the English language was good enough for Jesus
Christ, opined
the governor of our then-most-populous
...
is doing her usual for comic relief.
She doesn’t
see why she should get on the boat, etc.,
...
The world's a world of trouble, your mother must
have told you
that. Poison leaks into the basements
...
Love the drill, confound the dentist.
Love the fever that carries me home.
Meat of exile. Salt of grief.
This much, indifferent
...
In payment for those mornings at the mirror while,
at her
expense, I’d started my late learning in Applied
...
Coinage of the not-yet-wholly-
hardened custodians of public
health, as health is roughly measured
in the rougher parts of Dearborn.
...
So door to door among the shotgun
shacks in Cullowhee and Waynesville in
our cleanest shirts and ma’am
and excuse me were all but second
...
1.
The backstory's always of hardship, isn't it?
No-other-choices and hoping-for-better
on foreign shores. A minute ago, as measured
by the sand dunes here, the shipping lanes were thick
with them, from Hamburg, Limerick, towns
along the Oslofjord, and lucky to have found
the work. The Michigan woodlands hadn't been denuded yet
(a minute ago) so one of the routes was
lumber and the other was a prairie's wealth
of corn. There's a sort of cushioned ignorance that comes
of being born-and-then-allowed-to-live-in-
safety so I used to think it must have been more
forgiving here, less brutal than the brutal North Atlantic
with its fathoms and its ice. But no.
The winds, the reefs, the something-to-do-with-
narrower-troughs-between-the-waves and lakes like this
are deadlier than oceans: in
a single year the losses were one in every
four. We come for the scale of it: waters without
a limit the eye can apprehend and—could
there be some mistake?—aren't salt. Dunes
that make us little which if falsely consoling is right and
good. Where commerce lifts its sleeping head.
If I had the lungs for diving I expect I'd be there too
among the lovely broken ribs and keels. Visitors need
a place to sleep and something to fill up the
evenings, it's natural, the people in town
need jobs. Calamity-turned-profit in tranquility. My
father's father's father was among the ones
who did not drown. Who sold his ship
and bought a farm.
2.
What is it about the likes of us? Who cannot take it in
until the body of a single Syrian three-
year-old is face down on the water's edge? Or this
week's child who, pulled from the rubble, wipes
with the back and then the heel of his small
left hand (this time we have a video too) the blood
congealing near his eye then wipes (this is a problem,
you can see him thinking Where?) the hand
on the chair where the medic has put him.
So many children, so little space in our rubble-strewn
hearts. In alternative newsfeeds I am
cautioned (there is history, there is such a thing
as bias) that to see is not to understand. Which (yes, I know,
the poster child, the ad space, my consent-
to-be-governed by traffic in arms) is true and quite
beside the point. The boy on the beach, foreshortened
in the photograph, looks smaller than
his nearly three years would make him, which
contributes to the poignancy. The waves have combed his
dark hair smooth. The water on the shingle, in-
different to aftermath, shines.
3.
There was once, says the legend, a terrible fire or as
some will recount it a famine and
a mother bear with her two cubs was driven
into the lake. They swam for many hours until the
smaller of the cubs began to weaken and,
despite all the mother could do, was drowned,
then the second cub also, so when the mother reached
the shore which then as now belonged
to a land of plenty she lay down with her face
to the shimmering span whose other side was quite
beyond her powers of return. The islands
we call Manitou, the one and then the other, are
her cubs, she can see them, we go to them now by ferry.
And maybe that's what we mean by
recreation, not that everything lost—remember
the people to whom the legend belonged—shall be
restored but that it does us good
to contemplate the evidence. The lake,
the dunes, the broken ships, the larger-than-we-are
skeins of time and substance in which
change might be—we'll think of it so—not
hostile but a kindness..
...
Linda,
said my mother when the buildings fell,
before, you understand, we knew a thing
about the reasons or the ways
and means,
while we were still dumbfounded, still
bereft of likely narratives, we cannot
continue to live in a world where we
have so much
and other people have so little.
Sweet, he said.
Your mother's wrong but sweet, the world
has never self-corrected,
you Americans break my heart.
Our possum—she must be hungry or
she wouldn't venture out in so
much daylight—has found
a way to maneuver on top of the snow.
Thin crust. Sometimes her foot breaks through.
The edge
of the woods for safety or
for safety's hopeful look-alike. Di-
delphis, "double-wombed," which is
to say, our one marsupial:
the shelter then
the early birth, then shelter perforce again.
Virginiana for the place. The place
for a queen
supposed to have her maidenhead.
He was clever.
He had moved among the powerful.
Our possum—possessed
of thirteen teats, or so
my book informs me, quite a ready-made
republic—guides
her blind and all-but-embryonic
young to their pouch
by licking a path from the birth canal.
Resourceful, no? Requiring
commendable limberness, as does
the part I've seen, the part
where she ferries the juveniles on her back.
Another pair of eyes above
her shoulder. Sweet. The place
construed as yet-to-be-written-upon-
by-us.
And many lost. As when
their numbers exceed the sources of milk
or when the weaker ones fall
by the wayside. There are
principles at work, no doubt:
beholding a world of harm, the mind
will apprehend some bringer-of-harm,
some cause, or course,
that might have been otherwise, had we possessed
the wit to see.
Or ruthlessness. Or what? Or heart.
My mother's mistake, if that's
the best the world-as-we've-made-it
can make of her, hasn't
much altered with better advice. It's
wholly premise, rather like the crusted snow.
...
It's another sorry tale about class in America, I'm sure
you're right,
but you have to imagine how proud we were.
Your grandfather painted a banner that hung from Wascher's
Pub
to Dianis's Grocery across the street: Reigh Count,
Kentucky Derby Winner, 1928.
And washtubs filled
with French champagne. I was far too young
to be up at the stables myself, of course, it took
me years
to understand they must have meant in bottles
in the washtubs, with ice.
His racing colors
were yellow and black, like the yellow
cabs, which is how Mr. Hertz first made the money
that built
the barns that bred the horses, bred at last this perfect
horse, our hundred and thirty seconds of flat out earth-
borne bliss.
They bought the Arlington Racetrack then and Jens
got a job that for once in his life allowed him to pay
the mortgage
and the doctors too, but he talked the loose way even
good men talk sometimes and old man Hertz
was obliged
to let him go. It was August when the cab strike in
Chicago got so ugly. Somebody must have tipped
them off,
since we learned later on that the Count
and the trainer who slept in his stall had been moved
to another
barn. I'll never forget the morning after: ash
in the air all the way to town and the smell of those
poor animals,
who'd never harmed a soul. There's a nursery
rhyme that goes like that, isn't there? Never
did us any
harm. I think it's about tormenting a cat.
...
At the foot of the download anchored
among
the usual flotsam of ads,
this link: to plastics-express.com who for
a fraction
of the retail price can
solve my underground drainage woes, which
tells me
the software has finally
run amok. Because the article, you see,
recounts
the rescue from a sewage
pipe of Baby 59, five pounds,
placenta still
attached, in Zhejiang
Province, where officials even as I read
are debating
the merits of throwing
the mother in jail. Communal
toilet. Father
nowhere to be found.
The gods in their mercy once
could turn
a frightened girl to
water or a shamed one to a tree,
but they
no longer seem
to take our troubles much
to heart.
And so the men with
hacksaws do their gentle best—consider
the infant
shoulders, consider the lids—
and this one child among millions,
delivered
a second time to what
we still call breathable air, survives
to pull
the chords of sentiment
and commerce.
Don't make the poem
too sad, says Megan,
thinking at first (we both of us
think) the child
must be a girl or otherwise
damaged, thus (this part she doesn't
say) like her.
Who is the ground
of all I hope and fear for in the world.
Who'll buy?
Or as the hawkers
on the pavement used to put it, What
d'you lack?
The download comes with
pictures too. Of workmen, wrenches,
bits of shattered
PVC, and one for whom
the whole of it—commotion, cameras,
IV needle in the scalp—
is not more strange
than ordinary daylight.
Welcome, Number
59. Here's milk
from a bottle and here's a nearly
human hand.
...
As sometimes, in the gentler months, the sun
will return
before the rain has altogether
stopped and through
this lightest of curtains the curve of it shines
with a thousand
inclinations and so close
is the one to the
one adjacent that you cannot tell where magenta
for instance begins
and where the all-but-magenta
has ended and yet
you'd never mistake the blues for red, so these two,
the girl and the
goddess, with their earth-bred, grassfed,
kettle-dyed
wools, devised on their looms
transitions so subtle no
hand could trace nor eye discern
their increments,
yet the stories they told were perfectly clear.
The gods in their heaven,
the one proposed. The gods in
heat, said the other.
And ludicrous too, with their pinions and swansdown,
fins and hooves,
their shepherds' crooks and pizzles.
Till mingling
with their darlings-for-a-day they made
a progeny so motley it
defied all sorting-out.
It wasn't the boasting
brought Arachne all her sorrow
nor even
the knowing her craft so well.
Once true
and twice attested.
It was simply the logic she'd already
taught us how
to read.
...
She grew up in Illinois. She received a B.A. from Oberlin College in 1971, an M.A. from Northwestern University, an M.F.A. from the University of Iowa Writers Workshop, and her Ph.D. from Stanford University. She teaches American poetry and Renaissance literature at the University of Michigan, where she has also directed the M.F.A. program in creative writing. She served as the judge for the 2008 Brittingham Prize in Poetry. Her poems are featured in American Alphabets: 25 Contemporary Poets (2006) and many other anthologies.)
Ex Machina
When love was a question, the message arrived
in the beak of a wire and plaster bird. The coloratura
was hardly to be believed. For flight,
it took three stagehands: two
on the pulleys and one on the flute. And you
thought fancy rained like grace.
Our fog machine lost in the Parcel Post, we improvised
with smoke. The heroine dies of tuberculosis after all.
Remorse and the raw night air: any plausible tenor
might cough. The passions, I take my clues
from an obvious source, may be less like climatic events
than we conventionalize, though I’ve heard
of tornadoes that break the second-best glassware
and leave everything else untouched.
There’s a finer conviction than seamlessness
elicits: the Greeks knew a god
by the clanking behind his descent.
The heart, poor pump, protests till you’d think
it’s rusted past redemption, but
there’s tuning in these counterweights,
celebration’s assembled voice.