Margaret Walker (Margaret Abigail Walker Alexander by marriage; July 7, 1915 – November 30, 1998) was an American poet and writer. She was part of the African-American literary movement in Chicago. Her notable works include the award-winning poem For My People (1942) and the novel Jubilee (1966), set in the South during the American Civil War.
Walker was born in Birmingham, Alabama, to Sigismund C. Walker, a Methodist minister, and Marion (née Dozier) Walker, who helped their daughter by teaching her philosophy and poetry as a child. Her family moved to New Orleans when Walker was a young girl. She attended school there, including several years of college, before she moved north to Chicago.
In 1935, Walker received her Bachelor of Arts Degree from Northwestern University. In 1936 she began work with the Federal Writers' Project under the Works Progress Administration of the President Franklin D. Roosevelt administration during the Great Depression. She was a member of the South Side Writers Group, which included authors such as Richard Wright, Arna Bontemps, Fenton Johnson, Theodore Ward, and Frank Marshall Davis.
In 1942, she received her master's degree in creative writing from the University of Iowa. In 1965, she returned to that school to earn her Ph.D.
Walker married Firnist Alexander in 1943 and moved to Mississippi to be with him. They had four children together and lived in the capital of Jackson, Mississippi.
For my people everywhere singing their slave songs
repeatedly: their dirges and their ditties and their blues
and jubilees, praying their prayers nightly to an
unknown god, bending their knees humbly to an
...
My roots are deep in southern life; deeper than John Brown
or Nat Turner or Robert Lee. I was sired and weaned
in a tropic world. The palm tree and banana leaf,
...
Our birth and death are easy hours, like sleep
and food and drink. The struggle staggers us
for bread, for pride, for simple dignity.
And this is more than fighting to exist;
...
When I was a child I knew red miners
dressed raggedly and wearing carbide lamps.
I saw them come down red hills to their camps
dyed with red dust from old Ishkooda mines.
Night after night I met them on the roads,
or on the streets in town I caught their glance;
the swing of dinner buckets in their hands,
and grumbling undermining all their words.
I also lived in low cotton country
where moonlight hovered over ripe haystacks,
or stumps of trees, and croppers' rotting shacks
with famine, terror, flood, and plague near by;
where sentiment and hatred still held sway
and only bitter land was washed away.
...
All you violated ones with gentle hearts;
You violent dreamers whose cries shout heartbreak;
Whose voices echo clamors of our cool capers,
And whose black faces have hollowed pits for eyes.
All you gambling sons and hooked children and bowery bums
Hating white devils and black bourgeoisie,
Thumbing your noses at your burning red suns,
Gather round this coffin and mourn your dying swan.
Snow-white moslem head-dress around a dead black face!
Beautiful were your sand-papering words against our skins!
Our blood and water pour from your flowing wounds.
You have cut open our breasts and dug scalpels in our brains.
When and Where will another come to take your holy place?
Old man mumbling in his dotage, crying child, unborn?
...