Rekdal grew up in Seattle, Washington, the daughter of a Chinese American mother and a Norwegian father. She earned a BA from the University of Washington, an MA from the University of Toronto Centre for Medieval Studies, and an MFA from the University of Michigan, Ann Arbor. She is the author of the poetry collections A Crash of Rhinos (2000), Six Girls Without Pants (2002), The Invention of the Kaleidoscope (2007), and Imaginary Vessels (forthcoming), as well as the book of essays The Night My Mother Met Bruce Lee: Observations on Not Fitting In (2000).
In reviewing The Invention of the Kaleidoscope for Barn Owl Review, Jay Robinson observed that it’s “the razor’s edge that always accompanies eros that makes the poems of Paisley Rekdal fresh, intense and ultimately irresistible.” Rekdal’s work grapples with issues of race, sexuality, myth, and identity while often referencing contemporary culture.
Rekdal has been honored with a National Endowment of the Arts Fellowship, a Pushcart Prize, a Village Voice Writers on the Verge Award, and a Fulbright Fellowship to South Korea. Her work has been included in numerous anthologies, including Legitimate Dangers: American Poets of the New Century (2006) and the 2010 Pushcart Prize Anthology.
Rekdal teaches at the University of Utah. In April 2013, Rekdal was a featured writer on Harriet.
And the black water under the boats with their pools
of bilge rainbowed out like rinds
of steak fat, the salt thick
in my nostrils, but pleasant, too: details
...
I'm here, one fat cherry
blossom blooming like a clod,
one sad groat glazing, a needle puling thread,
...
Cut back the stems an inch to keep in bloom.
So instructs the florist's note
enclosed inside the flowers.
Who knew what was cut
...
I have been taught never to brag but now
I cannot help it: I keep
a beautiful garden, all abundance,
indiscriminate, pulling itself
...