call to all highly armed bohemians (four works already
ripped to shreds!) in future, the streetwar is to be
fought ‘away from art'. lamentation's polyvocal ohs and ahs
- but one was asphalted in the most concrete way. the
village vanguard still that very night. (so-called recognised)
resistance biographies lasting many years. Con-
sidering refractioning. On the one hand, the class-
specific interest in erecting new weimar (like:
read faster comrade / radical chic) at the same time
of course the wish to needlepoint the pillow goes on:
we will be well-read / the text is getting too short
for us. the hall fight ends refreshingly. committees
formed. what came since, merely: revolution
as pacified stylistic position. interrogation rooms are
then set up. wimpering about a question of life or
death: an I. ‘if I didn't take the side of experiment
the publisher would let me die of hunger, arms outstretched'.
the art watchman's unsympathetic, but all the same judg-
ments based on torturing principles. but - psychotic
systems often possess their own persuasive logic: schelling
already complained about hˆderlin's subversive hairdo
- all that hair and no comb! now we get used to so
much more: one outgrew his battle shoes and became
adult. the other got stuck in them, turned into song.
Translated by Brian Currid
This poem has not been translated into any other language yet.
I would like to translate this poem