The Birth Of Rain Comments

Drifting on a drab Sunday in Perth among the ashtrays and leftover sublimities of the church bells. My studio window above the rooftops a smear of willow and wet pine undulating gently in the stillness that followed the rain. Wolves on the easel, waiting to pay the rent. May of the fifth year into the twenty-first century, fifty-six, I sit in a blizzard of tobacco crumbs because I'm too poor to buy tailor-mades, coughing at the computer, wiping small drops of water like pygmy tears from the Cyclopean eye of the screen that glows with the same effulgence as the dirty sheet of the sky. The main migrations are over, but maybe these words are rosaries of late-returning birds. Two anthracite, boat-tailed grackles on a branch just beyond the grimy glass and a gust of sparrows chirrup like squeaky alternator-belts, manically elated in the wake of the storm that has just passed. My freedoms are more sober, my resurgencies probably less profound than the gray roses I give birth to here at my desk, waiting for one of these terminal urgencies of insight to sway me like a bell.

Maybe Louise later today with her Cola and cassettes, and her rough, voluptuous, laughing humanity scorning the random acids of the vulgar world that schools her, a muse who doesn't take requests, a generous longing that's been through a lot. So I sublimate the root-fires of my leafless batons into an auto-de-fe of white canes tired of trying to tap their way through a maze of sexual creeds, blind. The result? A novel and dozens of poems apples above the worms. And I keep her cats, Morgan and Rain, mother and kitten almost fully grown. There are no humans Louise loves more.
...
Read full text