At the Royal College of Surgeons of Edinburgh
My only talent lay in these.
My father rubbed his hands together,
stared as though their whorls held codes
of thirty years obstetric surgery -
It's a manual craft; the rest's just memory
and application. The hard art
lay in knowing when to stop.
He curled his fingers like a safe-cracker
recalling a demanding lock;
I glimpse a thousand silent break-ins:
the scalpel's shining jemmy pops
a window in the body, then - quick! -
working in the dark remove or
re-arrange, clean up, quit,
seal the way in. Oh strange burglar
who leaves things better than he found them!
On good days it seemed my fingertips
could see through skin, and once inside
had little lamps attached, that lit
exactly how and where to go.
He felt kin to painters, plumbers, joiners,
men whose hands were eloquent.
I wander through the college, stare
at portraits of those names he'd list,
Simpson, Lister, Wade and Bell,
the legends of his craft, recalled
as though he'd known them personally.
Impossible, of course. Fingers don't see.
Yet it gave me confidence, so I could proceed.
I stare at the College coat of arms,
that eye wide-open in the palm,
hear his long-dead voice, and see
those skilful hands that now are ash;
working these words I feel him by me,
lighting up the branching pathways.
Impossible, of course, and yet it gives
me confidence. Surely we need
to believe we are not working blind;
with his eye open in my mind
I open the notebook and proceed.
...
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