John Peale Bishop Poems

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1.
A Recollection

Famously she descended, her red hair
Unbound and bronzed by sea-reflections, caught
Crinkled with sea-pearls. The fine slender taut
...

2.
The Return

NIGHT and we heard heavy cadenced hoofbeats
Of troops departing; the last cohorts left
By the North Gate. That night some listened late
...

3.
Speaking Of Poetry

The ceremony must be found
that will wed Desdemona to the huge Moor.
It is not enough
...

4.
Admonition

LOCK your bedroom doors with terror.
Comb your hair between two lights.
In the gold Venetian chamber
...

5.
Fiametta

FIAMETTA walks under the quincebuds
In a gown the color of flowers;
Her small breasts shine through the silken stuff
...

6.
A Recollection

Famously she descended, her red hair
Unbound and bronzed by sea-reflections, caught
Crinkled with sea-pearls. The fine slender taut
Knees that let down her feet upon the air,

Young breasts, slim flanks and golden quarries were
Odder than when the young distraught
Unknown Venetian, painting her portrait, thought
He'd not imagined what he painted there.

And I too commerced with that golden cloud:
Lipped her delicious hands and had my ease
Faring fantastically, perversely proud.

All loveliness demands our courtesies.
Since she was dead I praised her as I could
Silently, among the Barberini bees.
...

7.
Fiametta

FIAMETTA walks under the quincebuds
In a gown the color of flowers;
Her small breasts shine through the silken stuff
Like raindrops after showers.
The green hem of her dress is silk, but duller
Than her eye's green color.

Her shadow restores the grass's green
Where the sun had gilded it;
The air has given her copper hair
The sanguine that was requisite.
Whatever her flaws, my lady
Has no fault in her young body.

She leans with her long slender arms
To pull down morning upon her
Fragrance of quince, white light and falling cloud.
The day shall have lacked due honor
Until I shall have rightly praised
Her standing thus with slight arms upraised
...

8.
Admonition

LOCK your bedroom doors with terror.
Comb your hair between two lights.
In the gold Venetian chamber
But for them let all be sombre.
Sit, and see reflected lights
Color time within your mirror.

Comb, comb, your bright hair. Rain
Fiery threads upon a shadow.
Stare until you see dilated
Eyes stare out as once the excited
Young men coming out of shadow,
Stared into a burning pain.

Find the loveliest shroud you own.
Stilt a ceremonious
Height on gilded heels. Then summon
To a rarity grown common
Starved arachnid, the dead-louse
And whatever feeds on bone.
...

9.
Speaking Of Poetry

The ceremony must be found
that will wed Desdemona to the huge Moor.
It is not enough
to win the approval of the Senator
or to outwit his disapproval; honest lago
can manage that: it is not enough. For then,
though she may pant again in his black arms
(his weight resilient as a Barbary stallion's)
she will be found
when the ambassadors of the Venetian state arrive
Again smothered. These things have not been changed,
not in three hundred years.
(Tupping is still tupping
though that particular word is obsolete.
Naturally, the ritual would not be in Latin.)
For though Othello had his blood from kings
his ancestry was barbarous, his ways African,
his speech uncouth. It must be remembered
that though he valued an embroidery
three mulberries proper on a silk like silver
it was not for the subtlety of the stitches,
but for the magic in it. Whereas, Desdemona
once contrived to imitate in needlework
her father's shield, and plucked it out
three times, to begin again, each time
with diminished colors. This is a small point
but indicative.
Desdemona was small and fair,
delicate as a grasshopper
at the tag-end of summer: a Venetian
to her noble finger tips.
O, it is not enough
that they should meet, naked, at dead of night
in a small inn on a dark canal. Procurers
less expert than lago can arrange as much.
The ceremony must be found
Traditional, with all its symbols
ancient as the metaphors in dreams;
strange, with never before heard music; continuous
until the torches deaden at the bedroom door.
...

10.
The Return

NIGHT and we heard heavy cadenced hoofbeats
Of troops departing; the last cohorts left
By the North Gate. That night some listened late
Leaning their eyelids toward Septentrion.

Morning blared and the young tore down the trophies
And warring ornaments: arches were strong
And in the sun but stone; no longer conquest
Circled our columns; all our state was down

In fragments. In the dust, old men with tufted
Eyebrows whiter than sunbaked faces gulped
As it fell. But they no more than we remembered
The old sea-fights, the soldiers' names and sculptors'.

We did not know the end was coming: nor why
It came; only that long before the end
Were many wanted to die. Then vultures starved
And sailed more slowly in the sky.

We still had taxes. Salt was high. The soldiers
Gone. Now there was much drinking and lewd
Houses all night loud with riot. But only
For a time. Soon the taverns had no roofs.

Strangely it was the young, the almost boys,
Who first abandoned hope; the old still lived
A little, at last a little lived in eyes.
It was the young whose child did not survive.

Some slept beneath the simulacra, until
The gods' faces froze. Then was fear.
Some had response in dreams, but morning restored
Interrogation. Then O then, O ruins!

Temples of Neptune invaded by the sea
And dolphins streaked like streams sportive
As sunlight rode and over the rushing floors
The sea unfurled and what was blue raced silver.
...

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