Randall Mann Poems

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1.
The Mortician In San Francisco

This may sound queer,
but in 1985 I held the delicate hands
of Dan White:
I prepared him for burial; by then, Harvey Milk
...

2.
Politics

This is what he dreams of:
a map of burned land,
a mound of dirt
in the early century's winter.
...

3.
Proximity

Out of the fog comes a little white bus.
It ferries us south to the technical mouth
of the bay. This is biopharma, Double Helix Way.
...

4.
Poem Beginning with a Line by John Ashbery

Jealousy. Whispered weather reports.
The lure of the land so strong it prompts
gossip: we chatter like small birds
at the edge of the ocean gray, foaming.
...

5.
?

is only something on which to hang
your long overcoat; the slender snake asleep
in the grass; the umbrella by the door;
...

6.
Almost

One last meal, family-style —

no family, and with suspect style.

November first, my almost-groom
fresh off his flasher costume

discharge at the office. Harris tweed.
I read it on his antisocial feed.


The motel life is all a dream —
we were, as they say, living the dream.

I appreciate our quandary,
hot-plate dates and frowsy laundry.

Face tattoos are never a good sign.
I hope his tumor is benign.


I won't forget the time he lent
me Inches, which I gave up for Lent.

Our love was threat, like phantom pain.
An almost-plan for a bullet train.

I'm weaning myself off graphic tees,
not taking on any new disease.


I walk along Pier 5 to kill the myth,
of course another stab at myth.

I pull my output from the shelf
and wildly anthologize myself.

I've adopted another yellow lab.
I hope to die inside this cab.


My lack of faith is punctuation —
no wait, the lack of punctuation.

Every intonation, one more pact
with injury; my latest one-act:

"Flossing in Public."
In the spattered glass of the republic
...

7.
Black Box

I was someone's
honor's student once,
a sticker, a star.
I aced Home Ec and Geometry;

I learned to stab a fork,
steer my mother's car.
Old enough to work,
I refreshed the salad bar

at Steak & Ale,
scarcity a line
I couldn't fail.
The summers between university,

interned at AT&T,
in the minority
outreach they called Inroads.
My boss, Vicki, had two

roommates, whom she
called, simply, The Gays,
crashing on her floor.
That was before

I was gay, I won't try to say
with a straight face.
Like anyone really cares,
I care. What I'm trying to say:

all this prepared
me for these squat blinking
office accessories.
The dry drinking

after the accidental reply-all.
By now there's a lot to lose.
Little by little, I have become
so careful, no talk

of politics, or orientation:
I let them say, he's "a homosexual,"
without an arch correction.
At a fondue buffet

in Zurich, our dumb-
founded senior group
director—when I let slip,
damn it, my trip

with a twenty-year-old—inquired,
They're always over seventeen,
right? I told her of course,
god yes, and, seething, smiled,

which I'm famous for.
I didn't want to scare
her. But I tell you,
I'm keeping score.

E-mail is no more
than a suicide
I'd like to please recall.
Note my suicide.

I'm paid to multitask,
scramble the life
out of fun:
Monday I will ask—

every dash a loaded gun,
every comma, a knife—
you to bury the black-box file.
...

8.
Dolores Park

The palms
are psalms.

The nail salons,
manicured lawns.

This is some phase.
The park has been razed.

I miss the hip,
hours at a clip,

their dopey glazed
Dolores haze

(sorry).
I worry

about basic stuff:
my graying scruff,

Ambien addiction.
Eviction ...

— But there's another story:
this site was once a cemetery.

In 1888,
the late

were stirred,
disinterred,

carted somewhere calm, a
nothing place called Colma.

By then the dead
prohibited

in city light.
They thought this was all right:

the dead have nothing to lose;
the dead were Jews.

Hills of Eternity, Home of Peace:
the dead were put in their place.
...

9.
The End of Landscape

There's a certain sadness to this body of water
adjacent to the runway, its reeds and weeds,
handful of ducks, the water color

manmade. A still life. And still
life's a cold exercise in looking back,
back to Florida, craning my neck

like a sandhill crane in Alachua Basin.
As for the scrub oaks,
the hot wind in the leaves was language,

Spanish moss—dusky, parasitic—
an obsession: I wanted to live in it.
(One professor in exile did,

covered himself in the stuff as a joke—
then spent a week removing mites.) That's
enough. The fields of rushes lay filled

with water, and I said farewell,
my high ship an old, red Volvo DL,
gone to another coast, another peninsula,

one without sleep or amphibious music.
Tonight, in flight from San Francisco—
because everything is truer at a remove—

I watch the man I love watch
the turn of the Sacramento River, then Sacramento,
lit city of legislation and flat land.

I think of Florida, how flat.
I think of forgetting Florida.
And then the landscape grows black.
...

10.
Fiduciary

the relationship between
blackbird and fencepost, between
the cow and its egret, the field
and wildflowers overrunning the field—
so little depends upon their trust.

Here, in God we trust
to keep our cash and thoughts in line—
in the sky, an unexplained white line
could be the first of many omens.
But this is no country for omens,

the line as chalky as the moon,
bleak and useless as the moon
now rising like a breath of cold air . . .
There is gullibility in the air.
...

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