Poet and scholar Robert Polito was born in Boston, Massachusetts. He earned his PhD from Harvard and has served as director of Creative Writing at The New School for two decades. Polito served as president of the Poetry Foundation from July 2013 through June 2015.
Polito’s collections of poetry include Hollywood & God (2009) and Doubles (1995). His poetry blends narrative and lyric impulses, drawing on both American pop culture and literary tradition. Polito’s scholarly works include A Reader’s Guide to James Merrill’s The Changing Light at Sandover (1995), and Savage Art: A Biography of Jim Thompson (1996), for which he received the National Book Critics Circle Award.
Polito’s interest in mid-century American culture, especially the crime novel and film noir, has also led him to such editing projects as Farber on Film: The Complete Film Writings of Manny Farber (2009); The Selected Poems of Kenneth Fearing (2004); Crime Novels: American Noir of the 1930s and 1940s (1997) and Crime Novels: American Noir of the 1950s (1997); and editions of Dashiell Hammett and James M. Cain for Everyman Library. He has contributed a catalog essay to About Face (1985), a retrospective of Manny Farber’s paintings; an essay on the Kinks for This is Pop: In Search of the Elusive at Experience Music Project (2004); an essay on Bob Dylan to Studio A: The Bob Dylan Reader (2005); and an essay on Allen Ginsberg to "Howl": Fifty Years Later (2006).
He is the recipient of numerous honors and awards including fellowships from the Guggenheim Foundation and the Ingram Merrill Foundation. A contributing editor to both BOMB and the Boston Review, Polito’s poetry and criticism have been published widely. He is at work on a new book titled Detours: Seven Noir Lives.
As phantoms direct life from the shadows,
I feel
I leaned on something,
and it broke.
...
Oh, de wars and de scrapes
And de sprees am done—sprees am done
De foe am beat.
De Turks am drowned—Turks am drowned.
All safe and sounds
...
When I can't make you understand I repeat myself
I repeat
If you don't stop asking me all these questions how
Will I understand anything
...
for Patti Smith
At the end of Bing Crosby's Riding High his horse
Will be buried in the clay of the racetrack where he fell,
As a lesson for all of us. Sad, waggish Bing,
...
Air here is like the water
Of an aquarium that's been lived in for a while—clear and still
Beyond the rigors
Of glass; appearing cold (and clear) as spring streams
Fed by snow and ice,
...