Roddy Lumsden (born 1966) is a Scottish poet, who was born in St Andrews. He has published seven collections of poetry, a number of chapbooks and a collection of trivia, as well as editing a generational anthology of British and Irish poets of the 1990s and 2000s, Identity Parade, among other anthologies.
He lives in London where he teaches for The Poetry School and independently. He has done editing work on several prize-winning poetry collections and the Pilot series of chapbooks by poets under 30 for Tall Lighthouse. He is organiser and host of the monthly reading series BroadCast in London. Between 2010 and 2013, he was Poetry Editor for Salt Publishing, for whom he is also the Series Editor of The Best British Poetry anthologies.
Lumsden is former Vice Chairman of the Poetry Society of Great Britain. He was awarded an Arts Council of England International Fellowship at the Banff Centre in Ontario in 2001 and has also carried out several residency projects, including being poet-in-residence to the music industry and in a five-star hotel and golf resort. He also works as a puzzle and quiz writer and a popular reference compiler and editor. In 2014 he became a regular team member on Radio 4's long running show Round Britain Quiz, representing Scotland alongside crime writer Val McDermid. They won the 2014 series.
Lumsden received an Eric Gregory Award in 1991. His first book Yeah Yeah Yeah was shortlisted for the Forward Prize in the Best First Collection section. His second collection The Book of Love was a Poetry Book Society Choice and shortlisted for the T.S. Eliot Prize and The John Llewellyn Rhys Prize. Roddy Lumsden is Dead followed in 2001, then Mischief Night: New & Selected Poems which was a PBS Recommendation and, in 2009, then Third Wish Wasted, poems from which were awarded the Bess Hokin Prize by the Poetry Foundation. A sixth collection, Terrific Melancholy, was issued in 2011, followed by Not All Honey in 2014.
She lies in her well-kept apartment
above the spick and span cathedral
in the heart of the walled city
above Manila Bay and she dreams
...
When I hurt you and cast you off, that was buccaneer work:
the sky must have turned on the Bay that day and spat.
We'd tarried on corners, we'd dallied on sofas, we were
...
They arrived at the desk of the Hotel Duncan
and Smithed in, twitchy as flea-drummed squirrels.
Her coat was squared and cream, his patent shoes
were little boats you wouldn't put to sea in.
People, not meaning to, write themselves in
to the soap that your life is, rise or fall in the plot.
Seems that they were fleeing from the 1980s
much as a hummingbird flies from a flower's bell.
These were the times when wine was still a treat
and not yet considered a common bodily fluid.
You will have heard that the mind works much
as an oval of soap turned between two hands.
She went round the room seeking lights
that could be off without desire becoming love.
He spread his arms behind his head, a gesture
of libido she misread as test of temperature.
Every carpet has its weave and underlay, seen
only by the maker, the deliverer and the layer.
The year was a dog but the day was as good as
a song that ends with a wedding, meat on the rib.
Evening was folding over the grid, slick walkers
with armfuls of books splendored in dusk's ask.
The song of the pipes was eerie as a face pressed
to glass, as a basketball with a mouth and teeth.
They lay in the glow of the times and talked of
how people form a queue to exact or escape love.
Each sigh has a sequel, she thought, then he did,
then the whole hotel pulsed through that thought.
Scandal has an inroad, but you must tunnel out;
she rose and stood up counting, all hair and beauty.
Though we do not hear them, beneath our own,
our shadows' footsteps clatter, they match our dread.
...
After the Yoruba
Though the amaryllis sags and spills
so do those my wishes serve, all along the town.
And yes, the new moon, kinked there in night's patch,
tugs me so—but I can't reach to right the slant.
And though our cat pads past without a tail, some
with slinking tails peer one-eyed at the dawn, some
with eyes are clawless, some with sparking claws
contain no voice with which to sing
of foxes gassing in the lane.
Round-shouldered pals
parade smart shirts, while my broad back supports
a scrubby jumper, fawn or taupe.
The balding English
air their stubble while some headless hero sports
a feathered hat. I know a man whose thoroughbred
grazes in his porch for want of livery.
There are scholars of Kant who can't find Kent
on the map, and men of Kent who cannot
fathom Kant.
We who would polish off a feast have lain
late in our beds, our bellies groaning, throats on fire.
We who'd drain a vat of wine have drunk
our own blood for its sting.
Each of us in tatters flaunts
one treasured garment flapping in the wind.
...