William Canton (27 October 1845 – 2 May 1926) was a British poet, journalist and writer, now best known for his contributions to children's literature. These include his series of three books, beginning with The Invisible Playmate, written for his daughter Winifred Vida (1891-1901). In his lifetime he was known for his use of recent archeological evidence of prehistory in his poetry.
Canton's early poetry was highly regarded in his lifetime for its attempt to represent in verse recent scientific theories, especially Darwinism, which he addressed in his poem Through the Ages (1879). Thomas Huxley supported Canton's attempts to introduce scientific terminology into verse. The Sanskritist Max Müller also praised Canton's works, writing that "I look upon them as equal to Matthew Arnold's poems, and having been an old friend and sincere admirer of Arnold, I could give no higher praise". Walter Pater, wrote to Canton that he gave expression to "primeval, pre-adamite, or pre-historic subjects...you have certainly made their poetic side your own".
Canton's later work was more religious in emphasis, but his output almost ceased after the death of his daughter. In 1913 Canton began a new religious poem The Mask of Veronica, but it was unfinished at his death.
With rakish eye and plenished crop,
Oblivious of the farmer's gun,
Upon the naked ash-tree top
...
In the heart of the white summer mist lay a green little piece of the world;
And the tops of the beeches were lost in the mist, and the
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Abba, in Thine eternal years
Bethink Thee of our fleeting day;
We are but clay;
Bear with our foolish joys, our foolish tears,
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Oh, had I but a plot of earth, on plain or vale or hill,
With running water babbling through, in torrent, spring, or rill,
I'd plant a tree, an o ...
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I WRITE. He sits beside my chair,
And scribbles, too, in hushed delight;
He dips his pen in charméd air:
What is it he pretends to write?
...