Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Health to great Glo'ster!--from a man unknown,
Who holds thy health as dearly as his own,
Accept this greeting--nor let modest fear
These verses appeared with Churchill's name to them in the London
Magazine for , and there is no reason to doubt their being
Deep in the bosom of a wood,
Out of the road, a Temple stood:
Ancient, and much the worse for wear,
Some of my friends (for friends I must suppose
All, who, not daring to appear my foes,
Feign great good-will, and not more full of spite
The clock struck twelve; o'er half the globe
Darkness had spread her pitchy robe:
Morpheus, his feet with velvet shod,
Grace said in form, which sceptics must agree,
When they are told that grace was said by me;
The servants gone to break the scurvy jest
_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
Horrid, unwieldly, without form,
Savage, as ocean in a storm,
Of size prodigious, in the rear,
Can the fond mother from herself depart?
Can she forget the darling of her heart,
The little darling whom she bore and bred,
Ah me! what mighty perils wait
The man who meddles with a state,
Whether to strengthen, or oppose!
False are his friends, and firm his foes:
Charles Churchill was an English poet and satirist. Churchill was born in Vine Street, Westminster. His father, rector of Rainham, Essex, held the curacy and lectureship of St Johns, Westminster, from 1733, and Charles was educated at Westminster School, where he became a good classical scholar, and formed a close and lasting friendship with Robert Lloyd. He was admitted to St John's College, Cambridge on 8 July 1748. Churchill contracted a marriage within the rules of the Fleet in his eighteenth year, and never lived at Cambridge; the young couple lived in his father's house, and Churchill was afterwards sent to the north of England to prepare for holy orders. He became curate of South Cadbury, Somerset, and, on receiving priest's orders (1756), began to act as his fathers curate at Rainham. Two years later the elder Churchill died, and the son was elected to succeed him in his curacy and lectureship. His emoluments amounted to less than £100 a year, and he increased his income by teaching in a girls' school. His marriage proved unhappy, and he began to spend much of his time in dissipation in the society of Robert Lloyd. He was separated from his wife in 1761, and would have been imprisoned for debt but for the timely help of Lloyd's father, who had been an usher and was now a master at Westminster. Churchill had already done some work for the booksellers, and his friend Lloyd had had some success with a didactic poem, The Actor. Churchill's knowledge of the theatre was now made use of in the Rosciad, which appeared in March 1761. This reckless and amusing satire described with the most disconcerting accuracy the faults of the various actors and actresses on the London stage; in a competition judged by Shakespeare and Jonson, Garrick is named the greatest English actor. Its immediate popularity was no doubt largely due to its personal character, but its vigour and raciness make it worth reading even now when the objects of Churchill's wit are forgotten. The first impression was published anonymously, and in the Critical Review, conducted by Tobias Smollett, it was confidently asserted that the poem was the joint production of George Colman the Elder, Bonnell Thornton and Robert Lloyd. Churchill immediately published an Apology addressed to the Critical Reviewers, which, after developing the subject that it is only authors who prey on their own kind, repeats the fierce attack on the stage. Incidentally it contains an enthusiastic tribute to John Dryden, of whom Churchill was a devotee. In the Rosciad he had praised Mrs Pritchard, Mrs Cibber and Mrs Clive, but no leading London actor, with the exception of David Garrick, had escaped censure, and in the Apology Garrick was clearly threatened. He deprecated criticism by showing every possible civility to Churchill, who became a terror to the actors. Thomas Davies wrote to Garrick attributing his blundering in the part of Cymbeline "to my accidentally seeing Mr Churchill in the pit, it rendering me confused and unmindful of my business." Churchill's satire made him many enemies, and brought reprisals. In Night, an Epistle to Robert Lloyd (1761), he answered the attacks made on him, offering by way of defence the argument that any faults were better than hypocrisy. His scandalous conduct brought down the censure of the dean of Westminster, and in 1763 the protests of his parishioners led him to resign his offices, and he was free to wear his blue coat with metal buttons and much gold lace without remonstrance from the dean. The Rosciad had been refused by several publishers, and was finally published at Churchill's own expense. He received a considerable sum from the sale, and paid his old creditors in full, besides making an allowance to his wife. He now became a close ally of John Wilkes, whom he regularly assisted with The North Briton weekly newspaper. His next poem, The Prophecy of Famine: A Scots Pastoral (1763), was founded on a paper written originally for that newspaper. This violent satire on Scottish influence fell in with the current hatred of Lord Bute, and the Scottish place-hunters were as much alarmed as the actors had been. When Wilkes was arrested he gave Churchill a timely hint to retire to the country for a time, the publisher, Kearsley, having stated that he received part of the profits from the paper. His Epistle to William Hogarth (1763) was in answer to the caricature of Wilkes made during the trial, in it Hogarth's vanity and envy were attacked in an invective which Garrick quoted as shocking and barbarous. Hogarth retaliated by a caricature of Churchill as a bear in torn clerical bands hugging a pot of porter and a club made of lies and North Britons. The Duellist (1763) is a virulent satire on the most active opponents of Wilkes in the House of Lords, especially on Bishop Warbuxton. He attacked Dr Johnson among others in The Ghost as "Pomposo, insolent and loud, Vain idol of a scribbling crowd". Other poems are The Conference (1763); The Author (1763), highly praised by Churchill's contemporaries; Gotham (1764), a poem on the duties of a king, didactic rather than satiric in tone; The Candidate (1764), a satire on John Montagu, fourth earl of Sandwich, one of Wilkes's bitterest enemies, whom he had already denounced for his treachery in The Duellist (Bk. iii.) as too infamous to have a friend; The Farewell (1764); The Times (1764); Independence, and an unfinished Journey. In October 1764 he went to Boulogne to join Wilkes. There he was attacked by a fever of which he died on the 4th of November. He left his property to his two sons, and made Wilkes his literary executor with full powers. Wilkes did little. He wrote an epitaph for his friend and about half a dozen notes on his poems, and Andrew Kippis acknowledges some slight assistance from him in preparing his life of Churchill for the Biographia (1780). There is more than one instance of Churchill's generosity to his friends. In 1763 he found his friend Robert Lloyd in prison for debt. He paid a guinea a week for his better maintenance in the Fleet, and raised a subscription to set him free. Lloyd fell ill on receipt of the news of Churchill's death, and died shortly afterwards. Churchill's sister Patty, who was engaged to Lloyd, did not long survive them. William Cowper was his schoolfellow, and left many kindly references to him. A partial collection of Churchill's poems appeared in 1763.)
Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Why write our names? A mark will do as well.
Much are the precious hours of youth misspent,
In climbing Learning's rugged, steep ascent;
When to the top the bold adventurer's got,
He reigns, vain monarch, o'er a barren spot;
Whilst in the vale of Ignorance below,
Folly and Vice to rank luxuriance grow;
Honours and wealth pour in on every side,
And proud Preferment rolls her golden tide.
O'er crabbed authors life's gay prime to waste,
To cramp wild genius in the chains of taste,
To bear the slavish drudgery of schools,
And tamely stoop to every pedant's rules;
For seven long years debarr'd of liberal ease,
To plod in college trammels to degrees;
Beneath the weight of solemn toys to groan,
Sleep over books, and leave mankind unknown;
To praise each senior blockhead's threadbare tale,
And laugh till reason blush, and spirits fail;
Manhood with vile submission to disgrace,
And cap the fool, whose merit is his place,
Vice-Chancellors, whose knowledge is but small,
And Chancellors, who nothing know at all:
Ill-brook'd the generous spirit in those days
When learning was the certain road to praise,
When nobles, with a love of science bless'd,
Approved in others what themselves possess'd.
But now, when Dulness rears aloft her throne,
When lordly vassals her wide empire own;
When Wit, seduced by Envy, starts aside,
And basely leagues with Ignorance and Pride;
What, now, should tempt us, by false hopes misled,
Learning's unfashionable paths to tread;
To bear those labours which our fathers bore,
That crown withheld, which they in triumph wore?
When with much pains this boasted learning's got,
'Tis an affront to those who have it not:
In some it causes hate, in others fear,
Instructs our foes to rail, our friends to sneer.
With prudent haste the worldly-minded fool
Forgets the little which he learn'd at school:
The elder brother, to vast fortunes born,
Looks on all science with an eye of scorn;
Dependent brethren the same features wear,
And younger sons are stupid as the heir.
In senates, at the bar, in church and state,
Genius is vile, and learning out of date.
Is this--oh, death to think!--is this the land
Where Merit and Reward went hand in hand?
Where heroes, parent-like, the poet view'd,
By whom they saw their glorious deeds renew'd?
Where poets, true to honour, tuned their lays,
And by their patrons sanctified their praise?
Is this the land, where, on our Spenser's tongue,
Enamour'd of his voice, Description hung?
Where Jonson rigid Gravity beguiled,
Whilst Reason through her critic fences smiled?
Where Nature listening stood whilst Shakspeare play'd,
And wonder'd at the work herself had made?
Is this the land, where, mindful of her charge
And office high, fair Freedom walk'd at large?
Where, finding in our laws a sure defence,
She mock'd at all restraints, but those of sense?
Where, Health and Honour trooping by her side,
She spread her sacred empire far and wide;
Pointed the way, Affliction to beguile,
And bade the face of Sorrow wear a smile;
Bade those, who dare obey the generous call,
Enjoy her blessings, which God meant for all?
Is this the land, where, in some tyrant's reign,
When a weak, wicked, ministerial train,
The tools of power, the slaves of interest, plann'd
Their country's ruin, and with bribes unmann'd
Those wretches, who, ordain'd in Freedom's cause,
Gave up our liberties, and sold our laws;
When Power was taught by Meanness where to go,
Nor dared to love the virtue of a foe;
When, like a leprous plague, from the foul head
To the foul heart her sores Corruption spread;
Her iron arm when stern Oppression rear'd;
And Virtue, from her broad base shaken, fear'd
The scourge of Vice; when, impotent and vain,
Poor Freedom bow'd the neck to Slavery's chain?
Is this the land, where, in those worst of times,
The hardy poet raised his honest rhymes
To dread rebuke, and bade Controlment speak
In guilty blushes on the villain's cheek;
Bade Power turn pale, kept mighty rogues in awe,
And made them fear the Muse, who fear'd not law?
How do I laugh, when men of narrow souls,
Whom Folly guides, and Prejudice controls;
Who, one dull drowsy track of business trod,
Worship their Mammon, and neglect their God;
Who, breathing by one musty set of rules,
Dote from their birth, and are by system fools;
Who, form'd to dulness from their very youth,
Lies of the day prefer to gospel truth;
Pick up their little knowledge from Reviews,
And lay out all their stock of faith in news;
How do I laugh, when creatures, form'd like these,
Whom Reason scorns, and I should blush to please,
Rail at all liberal arts, deem verse a crime,
And hold not truth, as truth, if told in rhyme!
How do I laugh, when Publius, hoary grown
In zeal for Scotland's welfare, and his own,
By slow degrees, and course of office, drawn
In mood and figure at the helm to yawn,
Too mean (the worst of curses Heaven can send)
To have a foe, too proud to have a friend;
Erring by form, which blockheads sacred hold,
Ne'er making new faults, and ne'er mending old,
Rebukes my spirit, bids the daring Muse
Subjects more equal to her weakness choose;
Bids her frequent the haunts of humble swains,
Nor dare to traffic in ambitious strains;
Bids her, indulging the poetic whim
In quaint-wrought ode, or sonnet pertly trim,
Along the church-way path complain with Gray,
Or dance with Mason on the first of May!
'All sacred is the name and power of kings;
All states and statesmen are those mighty things
Which, howsoe'er they out of course may roll,
Were never made for poets to control.'
Peace, peace, thou dotard! nor thus vilely deem
Of sacred numbers, and their power blaspheme.
I tell thee, wretch, search all creation round,
In earth, in heaven, no subject can be found:
(Our God alone except) above whose height
The poet cannot rise, and hold his state.
The blessed saints above in numbers speak
The praise of God, though there all praise is weak;
In numbers here below the bard shall teach
Virtue to soar beyond the villain's reach;
Shall tear his labouring lungs, strain his hoarse throat,
And raise his voice beyond the trumpet's note,
Should an afflicted country, awed by men
Of slavish principles, demand his pen.
This is a great, a glorious point of view,
Fit for an English poet to pursue;
Undaunted to pursue, though, in return,
His writings by the common hangman burn
How do I laugh, when men, by fortune placed
Above their betters, and by rank disgraced,
Who found their pride on titles which they stain,
And, mean themselves, are of their fathers vain;
Who would a bill of privilege prefer,
And treat a poet like a creditor;
The generous ardour of the Muse condemn,
And curse the storm they know must break on them!
'What! shall a reptile bard, a wretch unknown,
Without one badge of merit but his own,
Great nobles lash, and lords, like common men,
Smart from the vengeance of a scribbler's pen?'
What's in this name of lord, that I should fear
To bring their vices to the public ear?
Flows not the honest blood of humble swains
Quick as the tide which swells a monarch's veins?
Monarchs, who wealth and titles can bestow,
Cannot make virtues in succession flow.
Wouldst thou, proud man! be safely placed above
The censure of the Muse? Deserve her love:
Act as thy birth demands, as nobles ought;
Look back, and, by thy worthy father taught,
Who earn'd those honours thou wert born to wear,
Follow his steps, and be his virtue's heir.
But if, regardless of the road to fame,
You start aside, and tread the paths of shame;
If such thy life, that should thy sire arise,
The sight of such a son would blast his eyes,
Would make him curse the hour which gave thee birth,
Would drive him shuddering from the face of earth,
Once more, with shame and sorrow, 'mongst the dead
In endless night to hide his reverend head;
If such thy life, though kings had made thee more
Than ever king a scoundrel made before;
Nay, to allow thy pride a deeper spring,
Though God in vengeance had made thee a king,
Taking on Virtue's wing her daring flight,
The Muse should drag thee, trembling, to the light,
Probe thy foul wounds, and lay thy bosom bare
To the keen question of the searching air.
Gods! with what pride I see the titled slave,
Who smarts beneath the stroke which Satire gave,
Aiming at ease, and with dishonest art
Striving to hide the feelings of his heart!
How do I laugh, when, with affected air,
(Scarce able through despite to keep his chair,
Whilst on his trembling lip pale Anger speaks,
And the chafed blood flies mounting to his cheeks)
He talks of Conscience, which good men secures
From all those evil moments Guilt endures,
And seems to laugh at those who pay regard
To the wild ravings of a frantic bard.
'Satire, whilst envy and ill-humour sway
The mind of man, must always make her way;
Nor to a bosom, with discretion fraught,
Is all her malice worth a single thought.
The wise have not the will, nor fools the power,
To stop her headstrong course; within the hour,
Left to herself, she dies; opposing strife
Gives her fresh vigour, and prolongs her life.
All things her prey, and every man her aim,
I can no patent for exemption claim,
Nor would I wish to stop that harmless dart
Which plays around, but cannot wound my heart;
Though pointed at myself, be Satire free;
To her 'tis pleasure, and no pain to me.'
Dissembling wretch! hence to the Stoic school,
And there amongst thy brethren play the fool;
There, unrebuked, these wild, vain doctrines preach.
Lives there a man whom Satire cannot reach?
Lives there a man who calmly can stand by,
And see his conscience ripp'd with steady eye?
When Satire flies abroad on Falsehood's wing,
Short is her life, and impotent her sting;
But when to Truth allied, the wound she gives
Sinks deep, and to remotest ages lives.
When in the tomb thy pamper'd flesh shall rot,
And e'en by friends thy memory be forgot,
Still shalt thou live, recorded for thy crimes,
Live in her page, and stink to after-times.
Hast thou no feeling yet? Come, throw off pride,
And own those passions which thou shalt not hide.
Sandwich, who, from the moment of his birth,
Made human nature a reproach on earth,
Who never dared, nor wish'd, behind to stay,
When Folly, Vice, and Meanness led the way,
Would blush, should he be told, by Truth and Wit,
Those actions which he blush'd not to commit.
Men the most infamous are fond of fame,
And those who fear not guilt, yet start at shame.
But whither runs my zeal, whose rapid force,
Turning the brain, bears Reason from her course;
Carries me back to times, when poets, bless'd
With courage, graced the science they profess'd;
When they, in honour rooted, firmly stood,
The bad to punish, and reward the good;
When, to a flame by public virtue wrought,
The foes of freedom they to justice brought,
And dared expose those slaves who dared support
A tyrant plan, and call'd themselves a Court?
Ah! what are poets now? As slavish those
Who deal in verse, as those who deal in prose.
Is there an Author, search the kingdom round,
In whom true worth and real spirit's found?
The slaves of booksellers, or (doom'd by Fate
To baser chains) vile pensioners of state;
Some, dead to shame, and of those shackles proud
Which Honour scorns, for slavery roar aloud;
Others, half-palsied only, mutes become,
And what makes Smollett write, makes Johnson dumb.
Why turns yon villain pale? Why bends his eye
Inward, abash'd, when Murphy passes by?
Dost thou sage Murphy for a blockhead take,
Who wages war with Vice for Virtue's sake?
No, no, like other worldlings, you will find
He shifts his sails and catches every wind.
His soul the shock of Interest can't endure:
Give him a pension then, and sin secure.
With laurell'd wreaths the flatterer's brows adorn:
Bid Virtue crouch, bid Vice exalt her horn;
Bid cowards thrive, put Honesty to flight,
Murphy shall prove, or try to prove it right.
Try, thou state-juggler, every paltry art;
Ransack the inmost closet of my heart;
Swear thou'rt my friend; by that base oath make way
Into my breast, and flatter to betray.
Or, if those tricks are vain; if wholesome doubt
Detects the fraud, and points the villain out;
Bribe those who daily at my board are fed,
And make them take my life who eat my bread.
On Authors for defence, for praise depend;
Pay him but well, and Murphy is thy friend:
He, he shall ready stand with venal rhymes,
To varnish guilt, and consecrate thy crimes;
To make Corruption in false colours shine,
And damn his own good name, to rescue thine.
But, if thy niggard hands their gifts withhold,
And Vice no longer rains down showers of gold,
Expect no mercy; facts, well-grounded, teach,
Murphy, if not rewarded, will impeach.
What though each man of nice and juster thought,
Shunning his steps, decrees, by Honour taught,
He ne'er can be a friend, who stoops so low
To be the base betrayer of a foe?
What though, with thine together link'd, his name
Must be with thine transmitted down to shame?
To every manly feeling callous grown,
Rather than not blast thine, he 'll blast his own.
To ope the fountain whence sedition springs,
To slander government, and libel kings;
With Freedom's name to serve a present hour,
Though born and bred to arbitrary power;
To talk of William with insidious art,
Whilst a vile Stuart's lurking in his heart;
And, whilst mean Envy rears her loathsome head,
Flattering the living, to abuse the dead,
Where is Shebbeare? Oh, let not foul reproach,
Travelling thither in a city-coach,
The pillory dare to name: the whole intent
Of that parade was fame, not punishment;
And that old staunch Whig, Beardmore, standing by,
Can in full court give that report the lie.
With rude unnatural jargon to support,
Half-Scotch, half-English, a declining court;
To make most glaring contraries unite,
And prove beyond dispute that black is white;
To make firm Honour tamely league with Shame,
Make Vice and Virtue differ but in name;
To prove that chains and freedom are but one,
That to be saved must mean to be undone,
Is there not Guthrie? Who, like him, can call
All opposites to proof, and conquer all?
He calls forth living waters from the rock;
He calls forth children from the barren stock;
He, far beyond the springs of Nature led,
Makes women bring forth after they are dead;
He, on a curious, new, and happy plan,
In wedlock's sacred bands joins man to man;
And to complete the whole, most strange, but true,
By some rare magic, makes them fruitful too;
Whilst from their loins, in the due course of years,
Flows the rich blood of Guthrie's 'English Peers.'
Dost thou contrive some blacker deed of shame,
Something which Nature shudders but to name,
Something which makes the soul of man retreat,
And the life-blood run backward to her seat?
Dost thou contrive, for some base private end,
Some selfish view, to hang a trusting friend;
To lure him on, e'en to his parting breath,
And promise life, to work him surer death?
Grown old in villany, and dead to grace,
Hell in his heart, and Tyburn in his face,
Behold, a parson at thy elbow stands,
Lowering damnation, and with open hands,
Ripe to betray his Saviour for reward,
The Atheist chaplain of an Atheist lord!
Bred to the church, and for the gown decreed,
Ere it was known that I should learn to read;
Though that was nothing, for my friends, who knew
What mighty Dulness of itself could do,
Never design'd me for a working priest,
But hoped I should have been a Dean at least:
Condemn'd, (like many more, and worthier men,
To whom I pledge the service of my pen)
Condemn'd (whilst proud and pamper'd sons of lawn,
Cramm'd to the throat, in lazy plenty yawn)
In pomp of reverend beggary to appear,
To pray, and starve on forty pounds a-year:
My friends, who never felt the galling load,
Lament that I forsook the packhorse road,
Whilst Virtue to my conduct witness bears,
In throwing off that gown which Francis wears.
What creature's that, so very pert and prim,
So very full of foppery, and whim,
So gentle, yet so brisk; so wondrous sweet,
So fit to prattle at a lady's feet;
Who looks as he the Lord's rich vineyard trod,
And by his garb appears a man of God?
Trust not to looks, nor credit outward show;
The villain lurks beneath the cassock'd beau;
That's an informer; what avails the name?
Suffice it that the wretch from Sodom came.
His tongue is deadly--from his presence run,
Unless thy rage would wish to be undone.
No ties can hold him, no affection bind,
And fear alone restrains his coward mind;
Free him from that, no monster is so fell,
Nor is so sure a blood-hound found in Hell.
His silken smiles, his hypocritic air,
His meek demeanour, plausible and fair,
Are only worn to pave Fraud's easier way,
And make gull'd Virtue fall a surer prey.
Attend his church--his plan of doctrine view--
The preacher is a Christian, dull, but true;
But when the hallow'd hour of preaching's o'er,
That plan of doctrine's never thought of more;
Christ is laid by neglected on the shelf,
And the vile priest is gospel to himself.
By Cleland tutor'd, and with Blacow bred,
(Blacow, whom, by a brave resentment led,
Oxford, if Oxford had not sunk in fame,
Ere this, had damn'd to everlasting shame)
Their steps he follows, and their crimes partakes;
To virtue lost, to vice alone he wakes,
Most lusciously declaims 'gainst luscious themes,
And whilst he rails at blasphemy, blasphemes.
Are these the arts which policy supplies?
Are these the steps by which grave churchmen rise?
Forbid it, Heaven; or, should it turn out so,
Let me and mine continue mean and low.
Such be their arts whom interest controls;
Kidgell and I have free and modest souls:
We scorn preferment which is gain'd by sin,
And will, though poor without, have peace within.