Deborah Cameron

Deborah Cameron Poems

1.

When the papers are final, I pack the car
with our suitcases, a few boxes, my wedding dishes,

and I go home again. My three-year-old daughter
...

Why would any creature mate for life?
Does this arrangement settle longing
Or placate God, or swaddle the young ones
against teeth in the hungry ocean?
...

Something spooked the pony and he ran
My little sister atop, clinging to the saddle horn
With all her nine-year-old might until she lost her grip
And bounced away, a tumbleweed of flying hair and limbs.
...

Turning in a landscape of eyeless white, he falters
Heavy with strange gravity and life-support
suit hissing, machines talking-
one-ten over eighty…one-oh-three… point-oh-six…
...

Can I ever watch you sleep now,
And not see ghosts of the dead,
In their slow procession, blank,
And waiting?
...

This field in autumn is quiet, awaiting a winter death
to be interred beneath a skyless vault in the shadow
of woods that creep and stretch to touch the cooling earth.
The ground gives up heat without a sigh, turning in to hold
...

Deborah Cameron Biography

Little to tell. I am a much-divorced, hippy grandma struggling with depression and pain management who finds solace in writing and friends.)

The Best Poem Of Deborah Cameron

Drive

When the papers are final, I pack the car
with our suitcases, a few boxes, my wedding dishes,

and I go home again. My three-year-old daughter
cries and throws her doll out of the window

for the last time somewhere near Topeka. I drive
all night with the map upside down, a migratory bird

out of season, with only the homing instinct left intact.
My mother coos over the grandchild she has seen

just once, calls me her boomerang kid and tries to smile,
makes bright smalltalk, the good hostess

of a party she does not really want to give,
until my angel falls asleep on the sofa, and I plead

exhaustion. In my old room the bed is pushed
against one wall between boxes of toys.

The sewing machine, dusty with waiting
For someone to finish that yellow prom dress,

is piled with laundry and mending. I pull back
the fresh, hasty sheets and settle my sleeping child

in the bed where once I dreamed restlessly
of her father and burned to be gone.

I wonder if ghosts of those dreams remain still
in this place, in the corners, like cobwebs,

to trouble me in a half-light. I curl against
our child, trying to find the right shape again

that will make her part of me, unseverable,
until she chafes at the sweaty closeness and pulls

away. In the morning, before she wakes,
I slip away, too. Avoiding my father who stands

in his underwear, scratching and watching the coffee brew,
I swipe the keys to the Mustang and drive.

Through the quiet hour, through my own history,
this Disney set, too real to be. And I drive

past the old high school, past my best friend’s house
that stands weedy and small, past the cloudy pool

at the Y, still rocking with the rhythm of yesterday’s
play. Past the grocery and the Texaco

Where I bought a gallon of gas on Fridays
with bottle deposits saved all week.

Past the farms, wild seeds gone to flower, painted
cattle in lavender fields, a burned out shell of a barn.

That’s me in the rearview mirror. In front of the new
Wal-Mart, someone waves me down. A boy I knew

In school. Danny something, or Barry.
He still has outlaw eyes and a cowboy smile, says he always

had a crush on me. There is a place we know beyond
the last blacktop road in town where the grain

still whispers in an endless field of silver and green.
I cut the engine, and it begins to tick in the cool air,

And far off, a tractor hums. On cue, the field comes alive
with clicks and taps, the dry talk of insects.

Now the buttons of my dress are quick and numbered,
and falling back upon the ripe ground

I think, how easy this is,
how well he fits.

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