Gillian Clarke (born 8 June 1937) is a Welsh poet, playwright, editor, broadcaster, lecturer and translator from Wales.
Gillian Clarke was born on 8 June 1937 in Cardiff, and was brought up in Cardiff and Penarth, though for part of the Second World War she was in Pembrokeshire. She lived in Barry for a few years at a house called "Flatholme" on The Parade. Although her parents were Welsh speakers, she was brought up speaking only English and learnt to speak Welsh as an adult - partly as a form of rebellion. She graduated in English from Cardiff University.
Afterwards she spent a year working for the BBC in London.
She then returned to Cardiff, where she married and had a daughter, Catrin, about whom she has written a poem of the same name, and two sons. She worked as an English teacher, first at the Reardon-Smith Nautical College and later at Newport College of Art.
In the mid-1980s she moved to rural Ceredigion, west Wales with her second husband, after which time she spent some years as a creative writing tutor at the University of Glamorgan.
In 1990 she was a co-founder of Ty Newydd, a writers' centre in North Wales.
Her poetry is studied by GCSE and A Level students throughout Britain. She has given poetry readings and lectures in Europe and the United States, and her work has been translated into ten languages. A considerable number of her poems are used in the GCSE AQA Anthology.
Clarke has published numerous collections of poetry for adults and children (see below), as well as dramatic commissions and numerous articles in a wide range of publications. She is a former editor of The Anglo-Welsh Review (1975–84) and the current president of Tŷ Newydd. Several of her books have received the Poetry Book Society Recommendation. In 1999 Gillian Clarke received the Glyndŵr Award for an "Outstanding Contribution to the Arts in Wales" during the Machynlleth Festival, and she was on the judging panel for the 2008 Manchester Poetry Prize. Clarke reads her poetry for teenagers who are taking their English GCSE school exams. She is part of the GCSE Poetry Live team that also includes John Agard, Simon Armitage, Carol Ann Duffy, Imtiaz Dharker, Moniza Alvi, Grace Nichols, Daljit Nagra and Choman Hardi.
In December 2013 Clarke was the guest for BBC Radio 4's Desert Island Discs.
Under the ocean where water falls
over the decks and tilted walls
where the sea come knocking at the great ship's door,
...
For the green turtle with her pulsing burden,
in search of the breeding ground.
For her eggs laid in their nest of sickness.
For the cormorant in his funeral silk,
the veil of iridescence on the sand,
the shadow on the sea.
For the ocean's lap with its mortal stain.
For Ahmed at the closed border.
For the soldier with his uniform of fire.
For the gunsmith and the armourer,
the boy fusilier who joined for the company,
the farmer's sons, in it for the music.
For the hook-beaked turtles,
the dugong and the dolphin,
the whale struck dumb by the missile's thunder.
For the tern, the gull and the restless wader,
the long migrations and the slow dying,
the veiled sun and the stink of anger.
For the burnt earth and the sun put out,
the scalded ocean and the blazing well.
For vengeance, and the ashes of language.
...
Wales spelt Vales
on the brown envelope
from Vites to Llanidloes.
Inside a bundle of pages,
little illuminated manuscripts
of gilded Easter eggs,
scenes from a European spring
we'd all know anywhere,
an afternoon's work from the class in Vites.
Dear Ben', says one,
You are my friend. Write me. Misha.'
Quietly, heads bent over the pages,
the children write the first draft of a poem.
Outside April is all indecision,
daffodils over, lawns blurred with speedwell,
the cherries torn by a sharp rain.
In the photograph, yesterday's Misha is smiling.
A class group grinning, pulling faces.
They wave, thumbs up to the future.
Behind them, in the rendered wall of the school,
are the bullet holes.
...
Three years ago to the hour, the day she was born,
that unmistakable brim and tug of the tide
I'd thought was over. I drove
the twenty miles of summer lanes,
my daughter cursing Sunday cars,
and the lazy swish of a dairy herd
rocking so slowly home.
Something in the event,
late summer heat overspilling into harvest,
apples reddening on heavy trees,
the lanes sweet with brambles
and our fingers purple,
then the child coming easy,
too soon, in the wrong place,
things seasonal and out of season
towed home a harvest moon.
My daughter's daughter
a day old under an umbrella on the beach,
Latecomer at summer's festival,
and I'm hooked again, life sentenced.
Even the sea could not draw me from her.
This year I bake her a cake like our house,
and old trees blossom
with balloons and streamers.
We celebrate her with a cup
of cold blue ocean,
candles at twilight, and three drops of,
probably, last blood.
...
I think of her sometimes when I lie in bed,
falling asleep in the room I have made in the roof-space
over the old dark parlwr where she died
alone in winter, ill and penniless.
Lighting the lamps, November afternoons,
a reading book, whisky gold in my glass.
At my typewriter tapping under stars
at my new roof window, radio tunes
and dog for company. Or parking the car
where through the mud she called her single cow
up from the field, under the sycamore.
Or looking at the hills she looked at too.
I find her broken crocks, digging her garden.
What else do we share, but being women?
...