Guillaume Apollinaire

Guillaume Apollinaire Poems

Le pré est vénéneux mais joli en automne
Les vaches y paissant
Lentement s'empoisonnent
Le colchique couleur de cerne et de lilas
...

Dans la Haute-Rue à Cologne
Elle allait et venait le soir
Offerte à tous en tout mignonne
Puis buvait lasse des trottoirs
...

Autumn ill and adored
You die when the hurricane blows in the roseries
When it has snowed
...

The meadow is poisonous but pretty in the autumn
The cows that graze there are slowly poisoned
Meadow-saffron the colour of lilac and of shadows
Under the eyes grows there your eyes are like those flowers
...

Yvonne sérieuse au visage pâlot
A pris du papier blanc et des couleurs à l'eau
Puis rempli ses godets d'eau claire à la cuisine.
Yvonnette aujourd'hui veut peindre. Elle imagine
De quoi serait capable un peintre de sept ans.
...

6.

Sur la côte du Texas
Entre Mobile et Galveston il y a
Un grand jardin tout plein de roses
...

The room is free
Each for himself
...

Our story’s noble as its tragic
like the grimace of a tyrant
no drama’s chance or magic
...

An eagle descends from this sky white with archangels
And you sustain me
Let them tremble a long while all these lamps
Pray pray for me
...

The anemone and flower that weeps
have grown in the garden plain
where Melancholy sleeps
...

11.

Vous y dansiez petite fille
Y danserez-vous mère-grand
C'est la maclotte qui sautille
Toutes les cloches sonneront
...

12.

Here you are beside me again
Memories of my companions killed in the war
The olive-branch of time
...

13.

At last you're tired of this elderly world

Shepherdess O Eiffel Tower this morning the bridges are bleating

You're fed up living with antiquity

Even the automobiles are antiques
...

Dans la plaine les baladins
S'éloignent au long des jardins
Devant l'huis des auberges grises
Par les villages sans églises.
...

(Le Bestiaire ou Cortège d’Orphée)
Orpheus

Admire the vital power
...

My gipsy beau my lover
Hear the bells above us
We loved passionately
Thinking none could see us
...

Ton sourire m'attire comme
Pourrait m'attirer une fleur
Photographie tu es le champignon brun
De la forêt
Qu'est sa beauté
...

18.

J'ai vu Paris dans l'ombre
Hypogée où l'on riait trop
Paris une grande améthyste
Ces soldats belges en troupe
...

(Vitam Impendere Amori: To Threaten Life for Love)

Love is dead within your arms
Do you remember his encounter
...

Voie lactée ô soeur lumineuse
Des blancs ruisseaux de Chanaan
Et des corps blancs des amoureuses
Nageurs morts suivrons nous d'ahan
Ton cours vers d'autres nébuleuses
...

Guillaume Apollinaire Biography

Wilhelm Albert Włodzimierz Apolinary Kostrowicki, known as Guillaume Apollinaire was a French poet, playwright, short story writer, novelist, and art critic born in Italy to a Polish mother. Among the foremost poets of the early 20th century, he is credited with coining the word Surrealism and writing one of the earliest works described as surrealist, the play The Breasts of Tiresias (1917, used as the basis for a 1947 opera). Two years after being wounded in World War I, he died in the Spanish flu pandemic of 1918 at age 38. Biography Born Wilhelm Albert Włodzimierz Apolinary Kostrowicki and raised speaking French, among other languages, he emigrated to France and adopted the name Guillaume Apollinaire. His mother, born Angelica Kostrowicka, was a Polish noblewoman born near Navahrudak (now in Belarus). Apollinaire's father is unknown but may have been Francesco Flugi d'Aspermont, a Swiss Italian aristocrat who disappeared early from Apollinaire's life. Apollinaire was partly educated in Monaco. Apollinaire was one of the most popular members of the artistic community of Montparnasse in Paris. His friends and collaborators in that period included Pablo Picasso, Gertrude Stein, Max Jacob, André Salmon, Marie Laurencin, Andre Breton, André Derain, Faik Konica, Blaise Cendrars, Pierre Reverdy, Alexandra Exter, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall and Marcel Duchamp. In 1911, he joined the Puteaux Group, a branch of the cubist movement. On September 7, 1911, police arrested and jailed him on suspicion of stealing the Mona Lisa, but released him a week later. Apollinaire then implicated his friend Pablo Picasso, who was also brought in for questioning in the art theft, but he was also exonerated. He fought in World War I and, in 1916, received a serious shrapnel wound to the temple. He wrote Les Mamelles de Tirésias while recovering from this wound. During this period he coined the word surrealism in the program notes for Jean Cocteau and Erik Satie's ballet Parade, first performed on 18 May 1917. He also published an artistic manifesto, L'Esprit nouveau et les poètes. Apollinaire's status as a literary critic is most famous and influential in his recognition of the Marquis de Sade, whose works were for a long time obscure, yet arising in popularity as an influence upon the Dada and Surrealist art movements going on in Montparnasse at the beginning of the twentieth century as, "The freest spirit that ever existed." The war-weakened Apollinaire died of influenza during the Spanish Flu pandemic of 1918. He was interred in the Le Père Lachaise Cemetery, Paris. In 1900 he wrote his first pornographic novel, Mirely, ou le petit trou pas cher, which was eventually lost. Apollinaire's first collection of poetry was L'enchanteur pourrissant (1909), but Alcools (1913) established his reputation. The poems, influenced in part by the Symbolists, juxtapose the old and the new, combining traditional poetic forms with modern imagery. In 1913, Apollinaire published the essay Les Peintres cubistes on the cubist painters, a movement which he helped to define. He also coined the term orphism to describe a tendency towards absolute abstraction in the paintings of Robert Delaunay and others. In 1907, Apollinaire wrote the well-known erotic novel, The Eleven Thousand Rods (Les Onze Mille Verges). Officially banned in France until 1970, various printings of it circulated widely for many years. Apollinaire never publicly acknowledged authorship of the novel. Another erotic novel attributed to him was The Exploits of a Young Don Juan (Les exploits d'un jeune Don Juan), in which the 15-year-old hero fathers three children with various members of his entourage, including his aunt. The book was made into a movie in 1987. Shortly after his death, Calligrammes, a collection of his concrete poetry (poetry in which typography and layout adds to the overall effect), and more orthodox, though still modernist poems informed by Apollinaire's experiences in the First World War and in which he often used the technique of automatic writing, was published. In his youth Apollinaire lived for a short while in Belgium, mastering the Walloon dialect sufficiently to write poetry through that medium, some of which has survived.)

The Best Poem Of Guillaume Apollinaire

Les Colchiques

Le pré est vénéneux mais joli en automne
Les vaches y paissant
Lentement s'empoisonnent
Le colchique couleur de cerne et de lilas
Y fleurit tes yeux sont comme cette fleur-la
Violatres comme leur cerne et comme cet automne
Et ma vie pour tes yeux lentement s'empoisonne

Les enfants de l'école viennent avec fracas
Vêtus de hoquetons et jouant de l'harmonica
Ils cueillent les colchiques qui sont comme des mères
Filles de leurs filles et sont couleur de tes paupières
Qui battent comme les fleurs battent au vent dément

Le gardien du troupeau chante tout doucement
Tandis que lentes et meuglant les vaches abandonnent
Pour toujours ce grand pré mal fleuri par l'automne

Guillaume Apollinaire Comments

emc-mee 27 May 2021

//emc-mee.com/blog.html //emc-mee.com/cleaning-company-yanbu.html //emc-mee.com/blog.html //emc-mee.com/anti-insects-company-dammam.html //emc-mee.com/tanks-cleaning-company-jeddah.html

0 0 Reply

Guillaume Apollinaire Quotes

I love men, not for what unites them, but for what divides them, and I want to know most of all what gnaws at their hearts.

It's raining my soul, it's raining, but it's raining dead eyes.

A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.

The plastic virtues: purity, unity, and truth, keep nature in subjection.

To insist on purity is to baptize instinct, to humanize art, and to deify personality.

Artists are, above all, men who want to become inhuman.

Guillaume Apollinaire Popularity

Guillaume Apollinaire Popularity

Close
Error Success