AS we rush, as we rush in the Train,
The trees and the houses go wheeling back,
But the starry heavens above the plain
Come flying on our track.
...
From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
...
Now, Chatto, you're a dreary place,
Pale sorrow broods on ilka face;
Therburn has run his race.
...
See! Winter comes, to rule the varied Year,
Sullen, and sad; with all his rising Train,
Vapours, and Clouds, and Storms: Be these my Theme,
These, that exalt the Soul to solemn Thought,
...
Shall the great soul of Newton quit this earth,
To mingle with his stars; and every muse,
Astonish'd into silence, shun the weight
Of honours due to his illustrious name?
...
While in heroic numbers some relate
The amazing turns of wise eternal fate;
Exploits of heroes in the dusty field,
...
Hail, mildly pleasing solitude,
Companion of the wise and good;
But, from whose holy, piercing eye,
The herd of fools, and villains fly.
...
GIVE a man a horse he can ride,
Give a man a boat he can sail;
And his rank and wealth, his strength and health,
On sea nor shore shall fail.
...
The western sun withdrawn the shorten'd day,
And humid evening, gliding o'er the sky
In her chill progress, to the ground condensed
...
When now no more th' alternate twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the Night;
...
THE wine of Love is music,
And the feast of Love is song:
And when Love sits down to the banquet,
Love sits long:
...
Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
...
If those who live in shepherd's bower,
Press not the rich and stately bed;
The new-mown hay and breathing flower
...
I loathe, O Lord, this life below,
And all its fading fleeting joys;
...
It was a sad, ay 'twas a sad farewell,
I still afresh the pangs of parting feel;
Against my breast my heart impatient beat,
...
MY love o'er the water bends dreaming;
It glideth and glideth away:
She sees there her own beauty, gleaming
Through shadow and ripple and spray.
...
E. S.
Once a lively image of human nature,
Such as God made it
When he pronounced every work of his to be good.
...
When Britain first, at Heaven's command,
Arose from out the azure main;
This was the charter of the land,
And guardian angels sung this strain:
...
James Thomson was a Scottish poet and playwright, known for his masterpiece The Seasons and the lyrics of Rule, Britannia!. Scotland, 1700-1725 James Thomson was born in Ednam in Roxburghshire around 11 September 1700 and baptised on 15 September. The fourth of nine children of Thomas Thomson and Beatrix Thomson (née Trotter). Beatrix Thomson was born in Fogo, Berwickshire and was a distant relation of the house of Hume. Thomas Thomson was the Presbyterian minister of Ednam until eight weeks after Thomson’s birth, when he was admitted as minister of Southdean, where Thomson spent most of his early years. Thomson may have attended the parish school of Southdean before going to the grammar school in Jedburgh in 1712. He failed to distinguish himself there. Shiels, his earliest biographer, writes: 'far from appearing to possess a sprightly genius, [Thomson] was considered by his schoolmaster, and those which directed his education, as being really without a common share of parts'. He was, however, encouraged to write poetry by Robert Riccaltoun (1691–1769), a farmer, poet and Presbyterian minister; and Sir William Bennet (d. 1729), a whig laird who was a patron of Allan Ramsay. While some early poems by Thomson survive, he burned most of them on New Year’s Day each year. Thomson entered the College of Edinburgh in autumn 1715, destined for the Presbyterian ministry. At Edinburgh he studied metaphysics, Logic, Ethics, Greek, Latin and Natural Philosophy. He completed his arts course in 1719 but chose not to graduate, instead entering Divinity Hall to become a minister. In 1716 Thomas Thomson died, with local legend saying that he was killed whilst performing an exorcism. At Edinburgh Thomson became member of the Grotesque Club, a literary group, and he met his lifelong friend David Mallet. After the successful publication of some of his poems in the ‘’Edinburgh Miscellany’’ Thomson followed Mallet to London in February 1725 in an effort to publish his verse. London, 1725-1727 In London Thomson became a tutor to the son of Charles Hamilton, Lord Binning, through connections on his mother’s side of the family. Through David Mallet, by 1724 a published poet, Thomson met the great English poets of the day including Richard Savage, Aaron Hill and Alexander Pope. Thomson’s mother died on 12 May 1725, around the time of his writing ‘Winter’, the first poem of ‘‘The Seasons’’. ‘Winter’ was first published in 1726 by John Millian, with a second edition being released (with revisions, additions and a preface) later the same year. By 1727 Thomson was working on Summer, published in February, and was working at Watt’s Academy, a school for young gentlemen and a bastion of Newtonian science. In the same year Millian published a poem by Thomson titled ‘A Poem to the Memory of Sir Isaac Newton’ (who had died in March). Leaving Watt’s academy Thomson hoped to earn a living through his poetry, helped by his acquiring several wealthy patrons including Thomas Rundle, the countess of Hertford and Charles Talbot, 1st Baron Talbot. Later Life, 1728-1748 He wrote Spring in 1728 and finally Autumn in 1730, when the set of four was published together as The Seasons. During this period he also wrote other poems, such as to the Memory of Sir Isaac Newton, and his first play, The Tragedy of Sophonisba (1729). The latter is best known today for its mention in Samuel Johnson's Lives of the English Poets, where Johnson records that one 'feeble' line of the poem - "O, Sophonisba, Sophonisba, O!" was parodied by the wags of the theatre as, "O, Jemmy Thomson, Jemmy Thomson, O!". In 1730, he became tutor to the son of Sir Charles Talbot, then Solicitor-General, and spent nearly two years in the company of the young man on a tour of Europe . On his return Talbot arranged for him to become a secretary in chancery, which gave him financial security until Talbot's death in 1737. Meanwhile there appeared his next major work, Liberty (1734). In 1740, he collaborated with Mallet on the masque Alfred which was first performed at Cliveden, the country home of the Frederick, Prince of Wales. Thomson's words for "Rule Britannia", written as part of that masque and set to music by Thomas Arne, became one of the most well-known British patriotic songs - quite apart from the masque which is now virtually forgotten. The Prince gave him a pension of £100 per annum. He had also introduced him to George Lyttelton, who became his friend and patron. In later years, Thomson lived in Richmond upon Thames, and it was there that he wrote his final work The Castle of Indolence, which was published just before his untimely death on August 27, 1748. Johnson writes about Thomson's death, "by taking cold on the water between London and Kew, he caught a disorder, which, with some careless exasperation, ended in a fever that put end to his life" A dispute over the publishing rights to one of his works, The Seasons gave rise to two important legal decisions (Millar v. Taylor; Donaldson v. Beckett) in the history of copyright. Thomson's The Seasons was translated into German by Barthold Heinrich Brockes (1745). This translation formed the basis for a work with the same title by Gottfried van Swieten, which became the libretto for Haydn's oratorio The Seasons.)
In The Train
AS we rush, as we rush in the Train,
The trees and the houses go wheeling back,
But the starry heavens above the plain
Come flying on our track.
All the beautiful stars of the sky,
The silver doves of the forest of Night,
Over the dull earth swarm and fly,
Companions of our flight.
We will rush ever on without fear;
Let the goal be far, the flight be fleet!
For we carry the Heavens with us, dear,
While the Earth slips from our feet!
I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?
nice one.. good to know personal views...10 Good to stay I shall be far away Form untruthful way Rather it shall be good to stay As normal as possible and pray