Joanne Burns

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Rating: 4.33

Joanne Burns Poems

from our deep cool verandah we spy on the world passing by. we both wear glasses in order to pick out the details. even as children we noticed all.
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in order to upgrade the community's appreciation of poetry during the international year of cultural enrichment stage 2, members of the state's library progress committee decided to establish a small library of t-shirts on which would be printed quality verse in vivid, bold colours and lettering.
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there were so many books. she had to separate them to avoid being overwhelmed by the excessive implications of their words. she kept hundreds in a series of boxes inside a wire cage in a warehouse. and hundreds more on the shelves of her various rooms.
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war is a noun and so is peace. uranium is a noun like armchair. plutonium and
perspiration are both nouns and each has four syllables. bliss and terror are also
nouns.
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his body a paradigm
of tattoo husbandry he
glowers on the street dreaming
himself to be an award
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she had more friends
than you could fit
into the back of a truck
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dressed down in designer
loin cloth nipples perked up
alert to the beep of her
mobile phone her johnny
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8.

if you can stand at the right angle on the front steps of santiago central library on a hot and sunny day when you are protesting against state torture;
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it's hard to give up the biscuits
so tightly sealed in their shiny
white packets, the cryptic
glyphs of saos and jatz: cunieform
of the antipodes; can you hear
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10.

the voice of the qawwali singer
lifts off your wig of poor listening
habits you meet with a stack
of ice cubes in an exploding
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the first week of the new year and
indolence drops in as usual uninvited:
here’s lassitude like flat champagne flatter
than sorrow flat as the image of the year
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i) i trawled through an inner-city newsletter and assembled various phrases and fragments, 'renovating' them fairly often -
ii) added my own images and phrases as they made their
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cough up quotations

from that fossilized
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when the martians moved in
to alaska boulevarde they
levelled the heritage dwellings
and built homes in the shape
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it’s still the same, signs on the grass
say don’t feed the fish, instead of
don’t eat them, still the same tired old
sports star tropes, failed golfer falls
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under the house in the soft
brown soil you lean
against bleached wash
tubs wringing parrot
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under a canvas awning, a few
metres above sea level, with backs
to the harbour the poets are reading —
their audience reclines on smooth fresh
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Joanne Burns Biography

Joanne Burns was born in Sydney in 1945 and has lived there for most of her life, never far from the shores of Sydney Harbour. Over a dozen collections of her writing have been published. Her first poetry collection Snatch was published by The Strange Faeces Press, Notting Hill Gate, London in 1972. In addition to writing in the conventional poetic line break form she has written extensively in the prose poem/microfiction form. She has been particularly interested in the blurring of distinctions between poetry and prose. The use of the monologue form is another distinctive feature of her work. Satiric, ironic perspectives are prominent in her poetry; sometimes she is ludic, parodic. She has a keen eye for the absurd aspects of contemporary living and culture. Her poetry also engages with the esoteric, the cryptic, and the surreal - in a quirky (as opposed to the solemn) manner. Burns has written in the lower case for over thirty years, eschewing capitalisation, which she believes imposes a 'preordained' significance on certain words in the text. She prefers a 'level playing field'. A polished and well known reader/performer of her poetry in Australia, she first read at The Troubadour, Earls Court in 1972 - having been galvanised by the vibrant poetry reading scene in London where she lived between 1970 and 1972. Her audio recording shows how she sets up a theatre of words, easing the audience into a satisfying space between following her and cogitating on where they might possibly go. These are cogent lessons on how to exercise the imagination. In 1985 she visited the United States and Canada as a member of the Four Australian Poets Reading Tour. Her work has been produced for theatre, radio, television. She is represented in numerous poetry anthologies, for example - The Penguin Book of Modern Australian Poetry, The Penguin Anthology of Australian Poetry, The Penguin Book of Australian Women Poets, The Oxford Book of Australian Women's Verse. Her poetry has been published in school poetry text books, and her book on a clear day has been, and is currently, one of the poetry texts listed for study in the New South Wales Higher School Certificate English Syllabus. Her work has been translated into German, French, Spanish, Serbo-Croatian. In 2003, along with nine other Australian poets, she participated in translation workshops at the Berlin Poetry Festival, organised by literaturWERKstatt Berlin, and supported by the Australia Council for the Arts. She has received a number of writing grants from the Literature Board of the Australia Council for the Arts. A detailed literary biography of joanne burns (written by Australian poet Margaret Bradstock) appears in the Dictionary of Literary Biography, Vol 289 (Gale, 2004). The audio poems were recorded on August 2007 in Sydney, Australia for the River Road Poetry Series )Producer: Carol Jenkins))

The Best Poem Of Joanne Burns

kept busy

from our deep cool verandah we spy on the world passing by. we both wear glasses in order to pick out the details. even as children we noticed all. people would say dont like those twins they look at you funny. we were reassured. our powers had been confirmed. but that was a long while ago. now we are 60. we have lived in this ground floor flat on the main road for 20 years. it is a very suitable dwelling, and we have a satisfactory relationship with the landlord. we think he is pleased we notice his transparency. we have been here since we left our husbands who got in the way of our observations.

after our evening meal we talk quietly of what we have seen. we believe in sharing our observations in case one of us has missed something. for our eyesight isnt as sharp as it was ten years ago. though we do clean our glasses each hour and keep our hair tied firmly back in small grey buns so nothing can distract our focus. we are small women. many people do not notice us, while we are noticing them. we keep to ourselves. mother used to say to us never get too friendly with strangers they can harm you. even if they smile and offer you an hour of their lives dont tell them nothing. mother knew a lot. she always kept the bible and a cloth to clean her hands on the kitchen table within reach.

at night we take turns to sit at the window and watch. we set the alarm at 2 and 6. this way we both get some sleep. theres always something to see along this road. even at 3 in the morning. last night we saw a woman in a torn fur coat, gum boots and a beanie blow up balloons, tie them on her arms as if they were wings. she climbed up a tree, spread her arms and jumped. we think she might have injured herself. she screamed for quite a while until one of the passing motorists stopped and rang for an ambulance. we didnt want to get involved. our slippers might have gotten wet. it had been raining quite heavily.

another night one of the local drunks fell asleep on our verandah. he smelt wretched but we were pleased to be able to get a closer look at him. for several weeks we had been trying to work out a few things about him. at least we were able to see how thick and long the scar on his bald head was. we were able to read the words on his tattoos, ‘dearest jean' and ‘sailor boy'. we also saw a thin line thru the word ‘jean' as if he had tried to cut the word out. very interesting. we scrubbed the verandah with disinfectant the next morning. it didnt take long.

we keep records of our observations in a private code in large journals. we are saving them up for the day when our memories fail us. then we can read them thru to recall the details. they are an assurance that our days have been full and busy. we put black velvet covers on these books. they are so soft to stroke. just like the backs of our 8 black cats who often sleep like guardians in front of the cupboard as if they recognised the importance of its contents.

there are many folks with bad legs along this road. they hobble ever so slowly up and down all day as if they had all the time in the world. they bandage their legs in different ways. some of the bandages are rather grubby. you'd think theyd wash them. there are plenty of laundromats around here. every pension day they could wash them. they could share a machine. you can fit a good deal in one of these contraptions - at least ten bandages. dear me. if theyd looked where they were going instead of expecting life to do everything for them, they wouldnt be in this predicament. we're so pleased we're not handicapped. we have only ourselves to thank. and of course mother.

pension morning is always busy. we always make sure the teapot is full by 9.30. the crowd gathers outside the bank. for at least half an hour. theres no time to get up and put the jug on for some time. they clutter the footpath. so many of them. it takes a while for us to sort out who's there. we sometimes use the journal if we cant quite locate every face. often its the only way to really know who died before the postman called. on our deep cool verandah we sit. the twins. there are no mirrors in our hallway.

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