John Wieners

John Wieners Poems

The scene changes

Five hours later and
I come into a room
where a clock ticks.
...

God love you
Dana my lover
lost in the horde
on this Friday night,
...

I sit in Lees. At 11:40 PM with
Jimmy the pusher. He teaches me
Ju Ju. Hot on the table before us
shrimp foo yong, rice and mushroom
...

And with great fear I inhabit the middle of the night
What wrecks of the mind await me, what drugs
to dull the senses, what little I have left,
...

to Somes

from incarceration, Taunton State Hospital, 1972

gaunt, ugly deformed

broken from the womb, and horribly shriven
...

For I have seen love
and his face is choice Heart of Hearts,
a flesh of pure fire, fusing from the center
where all Motion is one.
...

Yes I put her away.
But now life flares up
As safe as China in a cup
You hear the droppings
of her heart.
...

O poetry, visit this house often,
imbue my life with success,
leave me not alone,
give me a wife and home.
...

The quality of mercy

is not strained

It lieth along the center road

It falleth from the nude sky

as gentle earth rained

over green pastures He maketh
it to abide by Misted Q lanes

whosoever can tell what kiss
brings forward HIS peace

The quality of mercy is not strained
It falleth from the gentle earth like heaven.
...

Destiny lies behind our forces
and what lives in the soul
dies not. It inhabits our dreams
as perpetual as light.

As the spring grass flowers,
it sprouts out in hair on our chin
and keeps birds thin
with the perpetual gnawing of desire.

The higher one goes
up the angelic ladder
remains the minute bits
and ends of our life.

Seeds there to recur when we
are most unaware.
Old faces, letters crop up again.
Words from our poems

Menace the night
...

to Ms. Reid & Nana Will Never Forgive Me

Commencement exercises inhibited
by prevalent narcotics less habituated

forbid association to prior or pending
Cambridge excesses in vicinity of Harvard

Militia action maintain clinic reporters
au compagne duress as stated Walter Milli

probe IRA nippon mirror jewels radioed
design Dresden classic Elgin refuted Novena

garb anticipatoryrobot news coverage
due vendors civic observations from

hard knocks park squat the bells rang twelve
times in town two years here, must be Washington.

Dipping in agression surfeit real estate express
two confessions blameless ignorance Athaneum Trans­

E U R O P E A N Coin.
...

I have never stopped loving him
from the first moment I cast eyes upon him
although they made us rob Brink's
whether up the chimney.

he stopped loving me
over their atrocities
allegedly he never did
over two years before
even one Earlier Easter

say two or more likely
projected Jesuit patricide;
at one permanent

As. ante Yanagi, unmrd. edn.
...

Death is an unforgiven
That's what we have in common

language an act of sharing words.

Coming tears will do it

Where there's smoke
THERe's a suitcase

fairies never change

into fire

It's so hard to get to the top.

Death is a failure

there are so many of them.

Dont trust her
I don't care how old the races are.

And I never have.

for Cher.
...

Gas. A marriage that never existed, a death under investigation,
and a Fortune stolen from M a d women in custody of itinerants.

Who could say wealth provides security, when the truth of one's
income
lies upon inferiors, inferring supposed secretaries stoop against

truth serums, unpatentd innoculations' dictum of an i mousity,
valid
jealousy beyond single trust. L E T I T B E S A I D
goldberg Mellons

make M o n e y, without reason, though attenuation begets
square dollar
c R U S T.

from E U S T A C E M U L L I N S—inc*
to ARTHur Burns, a few flattulences can bankrupt a relationship
but Never

sink the N A T I O N I n t e n t.
Upon ousting Frederick Engels Marx, Einstein, Freud and Darwin.
...

A quart of champagne, one pill too many
and a paper from the state saying I am "a mentally ill person."
Was it the pills or champagne no

simply some orange roses in a glass of water
on the bureau to transport myth from the pillowcase
into black and white orders
on a piece of paper.!f I tread the straight and narrow
I should no trouble, do what's
expected of me, realize my friends
are not my enemies, and get rid of

them both, as the orange flowers tomorrow
the pills will be digested, champagne evaporated
and only paper left, along with old friends
that shall drift down as absent orange juice.

to cascade stair feeble central system, lovingly, longingly
with heartfelt consternation of how to examine
the doubtful belief that good is God, and God the only love
or awaking, alone in bed, has it ever been any different or
shall it be?
...

And when that music starts
there is no time, she takes you back
over fifteen years, as if yesterday
a song immortalized. Do you know her name

I met her once, with my lover: "You must be Jack!
and saw her twice afterwards, at Storyville and
The Black Hawk. Sunday in the rain, "He's funny
that Way', and I went crazy afterwards, woman's

sorrow her legacy holding hands under the table.
Billie's grey—hair was Parisian style and her
singing Big Apple. She's still rotting nectarines.
...

'You Talk Of Going But Don't ‘
' Even Have A Suitcase''

(A Series of Repetitions)

I will be an old man sometime
And live in a dark room somewhere.

I will think of this night someplace
the rain falling on stone.

There will be no one near
no whisper on the street

only this song of old yearning
and the longing to be young

with you together on some street.

Now is the time for retreat,
This is the last chance.

This is not the last chance.
Why only yesterday I lay drugged
on the dark bed while they came
and went as the wind

and they shall come again
to bear me down into that pit
there is no returning from.

Old age, disaster, doom.

It shall be as this room.
With you by the sink, pinching your face

in the mirror. Time is as a river

and I shall forget this night,
its joy.

You shall disappear down the road
and I shall moan your name

in the pillow, while candles burn outside
in windows of strange houses
to mark our fame.
...

A simple poem
About love is what I want
To write: words
Without mystery, but
Shoulders touching
In a slow song,
Watching the
Words come out,
Like a snake
From its box, it winds
About our shoulders and
Neck like a noose.
We wait on the bed
Scaffold
To drop
Into its pit and hang
Hung up there.

7.12.59
...

From Ellen Needham, indicted for their slaying
to Alan Myronwitz' interdit we got to clean up poor classes
"Kill them off", as his unproduced revue, "Shoot the President"
barely two decades late, with Uncle Eddie's "Oh, Oh" was he
Earl Warren
then? we got nothing to say this morning, after returning
from New York.

When the Maid of Mistd Orleans vacationd off The Y in
Room 517, with Charlie
at the wheel, both ways
under
orange lights, does an initial replace a proper name, does a Judge ressurrect codes, can Anna
'h live, Elizabeth Short, will Cyril join John give orders, or take
them.

The death of hard—working women allowing some a cup of
coffee surprises us, that their slayings
pass unnotc­
ied, yes the fields of Brewster, Willimantic embankments,
now Buddy,
no more Treason in the
telephoneless rooms, on the Eighth Street billboard display.
...

It is Friday night, a lone bird hollers
in the sky. And there is desire here
in my heart to go to town and mingle
with the crowds.

Sailors in white suits, barflies
and B—girls at the lower end
of Washington Street. I remember
Wednesday afternoon when we walked

in the sun and heard the girl sing
Stormy Weather. Mere description
but spirit of the night, teach us
to bear despair.

As the dark spreads out
its blot against the sky, or day
becomes night, the lassitude and
apathy increase

until at last there is left only
the moon in the devil's eye, and key
his crotch to divinity. Divulge
the secret whereby we may become

stars and glow in the night
with a brightness of our own.
In his left hand he holds
a cone of flame in a saucer.

In his right a torch.
Two devils pay him homage
at the foot of his pedestal.
One touches a gold hoof.

Bare breasts, the breasts of a woman
Bat wings, but more like the wings of a griffin
Goat's face with beard and cow ears.
He is Lucifer, supreme.

And to him I implore the light
to transmit the flame he holds
and lighten my days, not with drugs
but a divine halo to show his eyes.

And if to die is to move
from the ugliness of this world
then let it be; should I
welcome spring; turn summer down, and fall

from my hands; the serpent's slow unwinding,
agate eyes, and blue bushes now
in flower; spice smells undo the lament
of tree leaves on the cement.

But if this cannot be
then let it die with the singing
of one brown bird, at twilight
crook the hand, crawl over, cover us with leaves.
...

John Wieners Biography

John Joseph Wieners (6 January 1934 – 1 March 2002) was an American poet. Born in Milton, Massachusetts, Wieners attended St. Gregory Elementary School in Dorchester, Massachusetts and Boston College High School. From 1950 to 1954, he studied at Boston College, where he earned his A.B. In 1954 he heard Charles Olson read at the Charles Street Meeting House on Beacon Hill during Hurricane Hazel. He decided to enroll at Black Mountain College where he studied under Olson and Robert Duncan from 1955 to 1956. He then worked as an actor and stage manager at the Poet’s Theater in Cambridge, and began to edit Measure, releasing three issues over the next several years. From 1958 to 1960 Wieners lived in San Francisco, California and actively participated in the San Francisco Poetry Renaissance. The Hotel Wentley Poems was published in 1958, when Wieners was twenty-four. Wieners returned to Boston in 1960 and was committed to a psychiatric hospital. In 1961, he moved to New York City and worked as an assistant bookkeeper at Eighth Street Books from 1962-1963, living on the Lower East Side with Herbert Huncke. He went back to Boston in 1963, employed as a subscriptions editor for Jordan Marsh department stores until 1965. Wieners’ second book, Ace of Pentacles, was published in 1964. In 1965, after traveling with Olson to the Spoleto Festival and the Berkeley Poetry Conference, he enrolled in the Graduate Program at SUNY Buffalo. He worked as a teaching fellow under Olson, then as an endowed Chair of Poetics, staying until 1967, with Pressed Wafer coming out the same year. In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War. In the spring of 1969, Wieners was again institutionalized, and wrote Asylum Poems. Nerves was released in 1970, containing work from 1966 to 1970. In the early 1970s, Wieners became active in education and publishing cooperatives, political action committees, and the gay liberation movement. He also moved into an apartment at 44 Joy Street on Beacon Hill, where he lived for the next thirty years. In 1975, Behind the State Capitol or Cincinnati Pike was published, a magnum opus of “Cinema decoupages; verses, abbreviated prose insights.” For the next ten years, he published rarely and remained largely out of the public eye. In 1985, he was a Guggenheim Fellow. Black Sparrow Press released two collections edited by Raymond Foye: Selected Poems: 1958-1984 and Cultural Affairs in Boston, in 1986 and 1988 respectively. A previously unpublished journal by Wieners came out in 1996, entitled The Journal of John Wieners is to be called 707 Scott Street for Billie Holliday 1959, documenting his life in San Francisco around the time of The Hotel Wentley Poems. At the Guggenheim Museum in 1999, Wieners gave one of his last public readings, celebrating an exhibit by the painter Francesco Clemente. A collaboration between the two, Broken Women, was also published. Wieners died on March 1, 2002 at Massachusetts General Hospital in Boston, having collapsed a few days previously after an evening attending a party with his friend and publisher Charley Shively. Kidnap Notes Next, a collection of poems and journal entries edited by Jim Dunn, was published posthumously in 2002. A Book of Prophecies was published in 2007 from Bootstrap Press. The manuscript was discovered in the Kent State University archive's collection by poet Michael Carr. It was a journal written by Wieners in 1971, and opens with a poem titled 2007. His papers are held at the University of Delaware.)

The Best Poem Of John Wieners

A Poem for Record Players

The scene changes

Five hours later and
I come into a room
where a clock ticks.
I find a pillow to
muffle the sounds I make.
I am engaged in taking away
from God his sound.
The pigeons somewhere
above me, the cough
a man makes down the hall,
the flap of wings
below me, the squeak
of sparrows in the alley.
The scratches I itch
on my scalp, the landing
of birds under the bay
window out my window.
All dull details
I can only describe to you,
but which are here and
I hear and shall never
give up again, shall carry
with me over the streets
of this seacoast city,
forever; oh clack your
metal wings, god, you are
mine now in the morning.
I have you by the ears
in the exhaust pipes of
a thousand cars gunning
their motors turning over
all over town.

6.15.58

John Wieners Comments

Michael Morgan 04 December 2017

Surprise to see Johnny Wieners here. Go!

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