Return to me, cleft
of living light, scissure
in darkness, fierce,
...
Ancestral slosh, black forest
of bridge trestles, syrupy rivers of South Jersey,
O Lutheran, O German School, O being Shunned
...
Bated ruby, guru occult,
you show yourself to us
after we— in gambit of breed,
of anchorite, of wind-thieved
...
Like a balcony, seized from behind,
held up by gods no one trusts,
deity of pseudonym, of crush, ransom notes,
ropes, lies. Sometimes abandoned
...
When my daughter fights on the phone
with her boyfriend, even her side
of the story unintelligible as my pain -
...
Tantric, this cobwebbed plot,
fish-net snare hung high in goblin air:
I'm lost in love, a mazed speck
of stunned flesh, sun-puzzled, heat-eaten,
...
If ever more ravened, junked, numb-sconced
I could not recall it, sopping in aftermath
dusk's blossom bock, ink-musk ale
...
O silk, my throat closing around a sob.
That fly again, minute leaden tank, thread-hooves,
busy, busy, to whom I mean nothing.
Relief in this. Yet to me he's singing beside the dugout, the ditch,
...
Glazier season, thin ice,
lens annulling clavate buds,
rescinding crocus silks,
making me see time,
...
Always the scythe of hours,
now, as everywhere,
even in loral light of late winter
...
Latitudinal, agonized, this wonder
of shadow on gravestones
plagiarizing willows, hemlock,
tear-strung and haunted. Lover,
...
Defiled stile of knuckled vertebrae
lanced by stinging nettle,
oblivious lantana, exquisite cleft
...
What might she send — a wet sleeve,
or platter of brine-latticed bluefish
dusky with capers, lemons, wine;
a briar for your thumb, a mouth,
...
I want to give you
more than these words
finite as husks
or a string of barbed wire.
...
Houseless against gray glower,
juniper dank, grisaille pagoda firs,
& sounding an unplumbed sleeting
within, girlhood's obscure guilt lingering,
...
Morning's mirage, disdainful & calm
as a mirror,
held the shorn bush that yesterday
flourished,
...
Turning to watch you leave,
I see we must always walk toward
other loves, river of heaven
...
When this day returns to me
I will value your heart,
long hurt in long division,
...
Would rather be lying there? No.
Though my pillow is a backwards-wound watch.
Cream linen of another country
where I lay in troth with you, hands pressed
...
Lisa Russ Spaar is an American poet. She graduated from University of Virginia (summa cum laude), with a B.A. and M.F.A. She teaches at the University of Virginia. Her work has appeaered in The Kenyon Review, Poetry, Slate, Virginia Quarterly Review, Ploughshares, The Yale Review, Denver Quarterly, Shenandoah, Indiana Review, The Paris Review, Sonora Review, The Southwest Review.)
The Insomnia Of Hildegard Of Bingen
Return to me, cleft
of living light, scissure
in darkness, fierce,
scotomic rain of haloed sparks
and extinguished stars,
whose pain is my familiar,
my purpose, my assurance of salvation.
Gone from me is she
who, in my ordeal, put the damp pearls
of her fingertips to my temples,
and saw in these ecstatic
visions less an obliteration
of my self, and more a kind
of kunst, a matter of my art,
and of preparedness for the pure,
searing reality of suffering
and of love that is divine.
My eyes open now onto hell's
dull and unrelenting shadow—
but also I see her as in the dawn,
glowing and adorned with virtues,
and as she appeared, once, in my chamber,
when she could not speak, and I calmed
with the lace of spanned hands
her throat's small and flustered vessel
until she was not silent.
Am I not God's mouthpiece?
Or am I nothing more than tithed daughter,
last rites read at my beginning?
Melisma of bodiless light,
I beg you: besiege my flesh,
free my heart—lift my sorrow
and my remembrance—
make room of me once more.