Most of the things a poet has to say
are tentative, lists of foggy clues
and suppositions-an unattested version
of the way the wind breathes at night,
an essay at atmosphere, predictions
as unreliable as weather forecasts. I stab
at the truth with a pencil, sometimes,
moved too suddenly to words by the shadings
on a cloud, or its shape, shivering
at a hint of thunder (sure that it
means something) .
But in the lines set down on paper
all suggestions become categories-
intuition or illusion edited to sound
like logic. Naked ideas turn ...