Patrick McGuinness

Patrick McGuinness Poems

Every crashed marriage has its black box, the blow-
by-blow account of what went wrong and how,
the crescendo of mistakes that peaks, is for an instant
...

In Monet's The Beach at Trouville, it is week one of the
Franco-Prussian war.
The chair lodges in the sand between two women. One reads, the
other
...

In memory of my father, and in welcome to my son

In the wings there is one who waits to go on,
and another, his scene run, who waits to go.
...

One afternoon we watched a programme on near-death
experiences: a woman tunnelled back through life

to what came after, and was reluctant
to return, since her life paled beside the white place
...

Caesarean state:
every roadsign a mirror
every town a suburb
...

Another of your letters, Cilea, and the paper goes
for weeks in my pocket, folded, unfolded, becomes soft as cotton
as the words fade and have to be guessed at;
or, better still, replaced with words I wish you'd written,
...

An ordinary day at work, except that it's your last:
the pull of the new job, the new house . . . you've only been half-here,
living out of suitcases - sometimes with me, sometimes
with the husband who does not know I borrowed you.
...

I had it for a moment, quick as the clash of two winds on a rooftop:
the smell of barley, hops, fresh diesel and its negative - used air;
then Belga smoke over the exhalations of the waffel-stand:
...

Patrick McGuinness Biography

Patrick McGuinness (born 1968) is a British academic, critic, novelist, and poet. He is Professor of French and Comparative Literature at the University of Oxford, where he is Fellow and Tutor at St Anne's College. Born in Tunisia in 1968 to a Belgian French-speaking mother and an English father of Irish descent, he grew up in Belgium and also lived for periods in Venezuela, Iran, Romania and the UK. He currently lives in Oxford and in Wales, with his family.)

The Best Poem Of Patrick McGuinness

Black Box

Every crashed marriage has its black box, the blow-
by-blow account of what went wrong and how,
the crescendo of mistakes that peaks, is for an instant
quiet on its crest of trauma, then drowns itself and us

in a cascade of static. The black box is what survives;
anthracite gleaming in the wreckage where, preserved in anger,
the voices that it holds replay their lifetime of last moments
and speak of how, until the very end, it might all have been

so different; and how, right from the start, they knew it never would.

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