(After Anish Kapoor's ‘creations' at the Hayward Gallery, London, 1998)
The queue outside stretches
like an alley cat, waiting
to enter the crowded gallery,
explore the plugged-holes at the centre
of walls and ceilings. Not enough time
or space for all to experience ways of defining
It-of lending shape, colour, sound, meaning.
Once inside, the world is turned upside down,
inside out, disoriented with double mirrors,
emptied of space funnelling into arupa,
untitled, leaving us newly-born, fearful of oblivion.
In the beginning (or is it the end?)
securing a discrete position
I get sucked into my mother's womb
peering at deep dark shrines of
my body, her body; our bodies
moving in rhythm to creations
at the vortex, doubly-inverted images,
when I become pregnant, making the world many.
We exchange according to our measure
the open-endedness of things, configuring
a nose, a breast, a man posing in his briefs?
Or something new waiting to be seen.
Imagination turns earth and stone into sky.
In the dark, polished hollow of a marble mummy
a fleeting spirit appears. A twisting column of light,
I flicker before giving up the ghost.
This poem has not been translated into any other language yet.
I would like to translate this poem