1902. Monet's staying at The Savoy
in the same rooms
occupied by Whistler a few years ago
and successfully avoiding
the denotive shackles of too exact a realism
in his paintings of The Thames,
busy adding extra bridges -
all his boatmen are named Charon
ferrying the dead
from shore to shore
Only winter will do for Monet
London wrapped
in that mysterious cloak of fog
and mist
created by London's basin situation
Only in winter
can Monet paint the Thames
without risking the overabundance
of verisimilitude
though unlike Turner
he does not resort to the trick
of making the world taller, buildings,
mountains, waterfalls,
but like Turner and Whistler
he offers us
(and so will Dufy)
a world (a Thames) of radiant precision
Look sharp Billy! Four portions of everything for M'sieur Monet!
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I would like to translate this poem