Turner Country Poem by Martin Ward

Turner Country



Turner Country

Churchyard lichen
cling impasto
to the canvas
of his grave.
Kate joined him
fifty-five years later.
Derbyshire's Constable
rests incognito.

The Barley Mow, Kirk Ireton,
to Cliff Ash Cottage, Idridgehay:
a pretty place to end your days.

Turner Country.
Seismically shifted here:
George from Barrow-on-Trent;
son William Lakin to Barrow-in-Furness.
Both found love a second time around
and threw their easels out of their prams,
like grown-up children do.

Genii, genetically crafted,
lived here, left here,
stayed here in body,
soul or spirit.
Occasionally, a canvass
of this Derbyshire Arcadia
comes up, singing with their DNA
that echoes in the valley.

This small part, in no part second-best.
So many masters have come: the other Turner too.

Love binds together and divides
sons and lovers; artists, poets and rustics.

Stand upon Alport Heights
and feel the spirits in the wind
swirl and call for ashes to be cast.

I like to think that I've played my part:
bringing together father and son,
whose temperamental talents
hang once more, side-by-side.

Friday, October 27, 2017
Topic(s) of this poem: artistic work
POET'S NOTES ABOUT THE POEM
George Turner was the artist otherwise known as 'The Derbyshire Constable' and William Lakin Turner, his artist son. Paintings by both may be seen in the Derby Art Gallery.
COMMENTS OF THE POEM
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Martin Ward

Martin Ward

Derby, Derbyshire
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