We get used to writings leaning where there are no longer children, now that they've grown up and their eyes recede into their faces
you talk of an image with corkscrewed socks
the piece of earthenware has no crease, the body is that of previous stages, with a laugh that was the sound she produced
there is the scandal of a possession, the shock invited to my table; then another part begins
we're taking care of the skeleton, dear
I am no longer the one I was when I was the child of a single time
the circle of chairs, matching, empty, on which the program sits nothing down, recreates the disappearance where we play the leading roles
This poem has not been translated into any other language yet.
I would like to translate this poem