Rosemary de Brissac Dobson

Rosemary de Brissac Dobson Poems

Rosemary de Brissac Dobson Biography

Rosemary de Brissac Dobson AO (born 18 June 1920) is an award winning Australian poet, who is also significant as an illustrator, editor and anthologist. She has published fourteen volumes of poetry, has been published in almost every annual volume of Australian Poetry and has been translated into French and other languages. The Judges of the New South Wales Premier's Literary Awards in 1996 described her significance as follows: "The level of originality and strength of Rosemary's poetry cannot be underestimated, nor can the contribution she has made to Australian literature. Her literary achievements, especially her poetry, are a testament to her talent and dedication to her art." Life Rosemary Dobson was born in Sydney, the second daughter of English-born A.A.G. (Arthur) Dobson and Marjorie (née Caldwell). Her father's father was Austin Dobson a poet and essayist. Her father died when she was five years old. She attended the prestigious Frensham School where her mother obtained work as a housemistress. Here she met Australian children's author, Joan Phipson, who had been asked to set up a printing press. She stayed on, after completion of her studies, as an apprentice teacher of art and art history. When she turned 21, Dobson attended the University of Sydney as a non-degree student. She also studied design with Australian artist, Thea Proctor. She worked as an editor and reader for the publisher Angus and Robertson with Beatrice Davis and Nan McDonald. She married the publisher Alec Bolton (1926–1996), whom she met while working at Angus and Robertson, in Sydney, and they had three children. During these Sydney years she became well-acquainted with other writers and artists, such as poet Douglas Stewart and his artist wife, Margaret Coen, writer and artist Norman Lindsay, Kenneth Slessor, and James McAuley. They lived in London from 1966 to 1971, during which she travelled widely in Europe and cemented her lifelong interest in art. The Boltons moved to Canberra in 1971 where Alec Bolton set up the Publications area of the National Library of Australia. In Canberra they were friendly with David Campbell, A. D. Hope, R. F. Brissenden and Dorothy Green. As time wore on, her local circle explanded to include younger writers such as Alan Gould and Geoff Page. Her older sister, Ruth, became Australia's first woman career diplomat Ambassador. Literary career Dobson began writing poetry at the age of seven. Her first collection, In a Convex Mirror, appeared in 1944, and was followed by thirteen more volumes. Her work demonstrates her love of art, antiquity and mythology as well as her experience of motherhood. Hooton describes her work as both consistent and varied: "consistency balanced with variety, reserve with passion, past with present, tradition with innovation, ancient myth with contemporary life, domesticity with culture, and above all Australia with Europe. Douglas Stewart suggested that she is "a religious person in the deepest and most important sense". In her introduction to her 1973 Selected Poems, Dobson wrote of her aims: "I hope it will be perceived that the poems presented here are part of a search for something only fugitively glimpsed, a state of grace which one once knew, or imagined, or from which one was turned away. Surely everyone who writes poetry would agree this is part of it - a doomed but urgent wish to express the inexpressible". In addition to poetry she has produced anthologies including two, with poet David Campbell, containing their translations of Russian poetry. She has also written prose. Brindabella Press In 1972, Dobson's husband, Alec Bolton, sent up Brindabella Press on which he worked for the rest of his life, working more actively after his retirement from the Library in 1987. Dobson had input as editorial adviser and proof-reader. Both she and Bolton enjoyed the art of the private press in a time when computer type-setting was taking over and producing a more standardised product. Two early publications from the press, published in 1973, were a small sheet edition of some of Dobson's poems titled Three poems on water-springs and a small book of poems by David Campbell titled Starting from Central Station: a sequence of poems. Portraits Norman Lindsay made three portraits of Dobson, the first one at the suggestion of Douglas Stewart who suggested he draw or paint Australian writers. Lindsay's first portrait of Dobson was a drawing, but it was then suggested that he do an oil painting. Lindsay asked her to wear her rose-coloured evening dress. This painting is now owned by the National Library of Australia, as is the dress she wore for the portrait. Dobson sat a third time for Lindsay, at his request and wearing clothes of his suggestion. This portrait is now missing. Artist Thea Proctor made four drawings of Dobson while Dobson was attending Proctor's art classes. Awards 1948: The Sydney Morning Herald Poetry Prize for The Ship of Ice 1966 Myer Award II for Australian Poetry for Cock Crow 1977 Australian National University Honorary Convocation Member 1979: Robert Frost Award 1984: Patrick White Award 1984: Grace Leven Prize for Poetry for Best Volume of Poetry for the Year The Three Fates & Other Poems 1985: Victorian Premier's Literary Award Joint Winner for The Three Fates 1986: Association for the Study of Australian Literature Honorary Life Member 1987: Officer of the Order of Australia (AO) 1996: Australia Council Writer’s Emeritus Award 1996: University of Sydney Honorary Doctor of Letters 2001: The Age Book of the Year Book of the Year and Poetry Awards for Untold Lives & Later Poems 2006: NSW Alice Award 2006: New South Wales Premier's Literary Awards Special Award)

The Best Poem Of Rosemary de Brissac Dobson

A Fine Thing

To be a scarecrow
To lean all day in a bright field
With a hat full
Of bird's song
And a heart of gold straw;
With a sly wink for the farmer's daughter,
When no one sees, and small excursions;
Returning after
To a guiltless pose of indolence.

A fine thing
to be a figurehead
with a noble brow
On a ship's prow
And a look to the end of the world;
With the sad sounds of wind and water
And only a stir of air for thinking;
The timber cutting
The green waves, and the foam flashing.

To be a snowman
Lost all day in deep thought
With a head full
Of snowflakes
And no troubles at all,
With an old pipe and six buttons,
And sometimes children in woollen gaiters;
But mostly lonely,
A simple fellow, with no troubles at all.

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