I can't sleep here, on this Wiradjuri land; upon this hill of learning. Awake until the sun comes up and the morose voices subside; the dawn light blades whispers back into the creases of scarred country. I can't sleep here, in the writers centre;
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Sprinkled in the happy dark of my mind
Is early childhood and black humour
White stucco dreaming
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"the journey IS the destination"
a quote from a great traveller
Brisbane is a small city, but that's OK . . . 'cause I don't need much room to move . .
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My brothers once showed me the bounty that could be had in bait nets / we were able to catch garfish / bills like half-baked marlin / the rounded quill with a fluorescent orange head; pencil fish, that's what the old diggers called them,
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Midnight's boxer He has become
That the ghosts from the ‘tents' of long-ago pay homage
Memories that fill a boarding-house room,
Busted knuckles soothed endlessly with goanna oil
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For Rhan . . . wherever you are, Brother, I pray your path is a good one and without crossroads . . .
It was a dark and stormy night of clichés! The rain coming down, drowning the shadows, and my motley crew, well, that hotel room just couldn't hold us.
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He had L O V E tattooed across his clenched right fist, followed by P O E M, etched in a vagabond's quill, across the other LOVE POEM. And with these fists coming at you in unison, you copped a taste of his, LOVE POEM. He stalked the crooked lines of this world,
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It's the Lucky Country's closet; a dark interior with frontier skeletons. Whirly-winds run rampant, spawning red-sand mandalas of chaos. These frenetic twisters find easy prey on ochre-kissed Dorothys, carrying them off to Parallel Oz. In Parallel Oz,
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Fire-engine flash of fox pelt
And a plume of tail
Fluffy . . . like some oil-well ablaze on a Gulf War postcard
And from the body
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"The call of the strange bird is heard
on the pipe of the breathing floor;
so high will become the bushels of wheat
that man will cannibalise his fellow man . . ."
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