Thomas Holley Chivers

Thomas Holley Chivers Poems

Thomas Holley Chivers Biography

Thomas Holley Chivers (October 18, 1809 – December 18, 1858) was an American doctor-turned-poet from the state of Georgia. He is best known for his friendship with Edgar Allan Poe and his controversial defense of the poet after his death. Born into a wealthy Georgia family, Chivers became interested in poetry at a young age. After he and his first wife separated, he received a medical degree from Transylvania University but focused his energy on publishing rather than medicine. In addition to submitting poems to various magazines and journals, Chivers published several volumes of poetry, including The Lost Pleiad in 1845, as well as plays. Edgar Allan Poe showed an interest in the young poet and encouraged his work. Chivers spent the last few years of his life defending the reputation of Poe, who had died in 1849, though he also thought Poe had been heavily influenced by his own poetry. Chivers died in Georgia in 1858. As a literary theorist, Chivers believed in divine inspiration. He encouraged the development of a distinctive American style of literature and especially promoted young writers. His poems were known for religious overtones with an emphasis on death and reunions with lost loved ones in the afterlife. Though he built up a mild reputation in his day, he was soon forgotten after his death. In his poetry, Chivers made use of legends and themes from Native American culture, particularly the Cherokee, though often with Christian overtones. He was also heavily influenced by the work of François-René de Chateaubriand and Emanuel Swedenborg. Many of Chivers's poems included themes of death and sorrow, often using images of shrouds, coffins, angels, and reunions with lost loves in the afterlife. Religious conventions at the time made discussion of death popular, as was reflected in poetry. Because of his background as a doctor, Chivers was able to graphically depict the last moments before someone's death. Chivers believed in a close connection between poetry and God and that true poetry could only be written through divine inspiration. He once wrote: "Poets are the apostles of divine thought, who are clothed with an authority from the Most High, to work miracles in the minds of men". He also wrote: "Poetry is the power given by God to man of manifesting... the wise relations that subsist between him and God", and it "is that crystal river of the soul which runs through all the avenues of life, and after purifying the affections of the heart, empties itself into the Sea of God". In Nacoochee, the preface states: "Poetry is that crystal river of the soul which runs thorugh all the avenues of life, and after purifying the affections of the heart, empties itself into the Sea of God." In his introduction to Atlanta, written in 1842 but not published until 1853, Chivers gives a lengthy discussion of his poetic theory, pre-dating many ideas Poe would suggest in "The Poetic Principle" (1850). Chivers, for example, suggests that poems should be short to be successful: "No poem of any considerable length... can be pleasing to any well-educated person for any length of time". He also experimented with blank verse as early as 1832 and his 1853 collection, Virginalia, included mostly poems using blank verse. At least for a time, he considered Elizabeth Barrett Browning the best contemporary English poet. Like many from his time, Chivers called for the development of a distinctive American literature and he especially encouraged young writers. Poe called the 1845 poetry collection The Lost Pleiad "the honest and fervent utterance of an exquisitely sensitive heart."Overall, he called Chivers "one of the best and one of the worst poets in America".William Gilmore Simms offered conditional praise of Chivers's poetry as well: "He possesses a poetic ardor sufficiently fervid, and a singularly marked command of language. But he should have been caught young, and well-bitted, and subjected to the severest training... As an artist, Dr. Chivers is yet in his accidence." Simms also commented that his works were too gloomy and melancholy. Though Chivers built up a mild reputation during his lifetime, counting Algernon Charles Swinburne among his admirers, his fame faded away quickly after his death. Other writers that acknowledged his influence included Dante Gabriel Rossetti, William Michael Rossetti, and Rudyard Kipling Others, however, were more critical. One anonymous reviewer, possibly Evert Augustus Duyckinck, joked that Chivers was formulaic and suggested the formula included 30% Percy Bysshe Shelley, 20% Poe, 20% "mild idiocy", 10% "gibbering idiocy", 10% "raving mania" and 10% "sweetness and originality".Literary scholar S. Foster Damon wrote that Chivers would have had a stronger reputation if he were born in the North and "the literary coteries there would surely have pruned and preserved him... But the time and space were against him.")

The Best Poem Of Thomas Holley Chivers

Apollo

What are stars but hieroglyphics of God's glory writ in lightning
On the wide-unfolded pages of the azure scroll above?
But the quenchless apotheoses of thoughts forever brightening
In the mighty Mind immortal of the God whose name is Love?
Diamond letters sculptured, rising, on the azure ether pages,
That now sing to one another, unto one another shine
God's eternal Scripture talking, through the midnight, to the Ages,
Of the life that is immortal, of the life that is divine
Life that cannot be immortal, but the life that is divine.

Like some deep, impetuous river from the fountains everlasting,
Down the serpentine soft valley of the vistas of all Time,
Over cataracts of adamant uplifted into mountains,
Soared his soul to God in thunder on the wings of thought sublime.
With the rising golden glory of the sun in ministrations,
Making oceans metropolitan of splendor for the dawn
Piling pyramid on pyramid of music for the nations
Sings the Angel who sits shining everlasting in the sun,
For the stars which are the echoes of the shining of the sun.

Like the lightnings piled on lightnings, ever rising, never reaching,
In one monument of glory toward the golden gates of God-
Voicing out themselves in thunder upon thunder in their preach
Piled this Cyclops up his Epic where the Angels never trod
Like the fountains everlasting that for evermore are flowing
From the throne within the center of the City built on high
With their genial irrigation life for evermore bestowing
Flows his lucid, liquid river through the gardens of the sky
For the stars forever blooming in the gardens of the sky.

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