What it must be like to be an angel
or a squirrel, we can imagine sooner.
The last time we go to bed good,
they are there, lying about darkness.
Here at the seashore they use the clouds over & over
again, like the rented animals in Aïda.
In the late morning the land breeze
turns and now the extras are driving
Spared by a car or airplane crash or
cured of malignancy, people look
around with new eyes at a newly
praiseworthy world, blinking eyes like these.
Going abruptly into a starry night
It is ignorance we blink from, dark, unhoused;
There is a gaze of animal delight
Before the human vision. Then, aroused
In Chota Nagpur and Bengal
the betrothed are tied with threads to
mango trees, they marry the trees
as well as one another, and
Climbing the stairway gray with urban midnight,
Cheerful, venial, ruminating pleasure,
Darkness takes me, an arm around my throat and
Give me your wallet.
A person is very self-conscious about his head.
It makes one nervous just to know it is cast
In enduring materials, and that when the real one is dead
The cast one, if nobody drops it or melts it down, will last.
Limped out of the hot sky a hurt plane,
Held off, held off, whirring pretty pigeon,
Hit then and scuttled to a crooked stop.
The stranger pilot who emerged—this was the seashore,
Combed by the cold seas, Bering and Pacific,
These are the exile islands of the mind.
All the charts and history you can muster
Will not make them real as the fog is real
He drives onto the grassy shoulder and unfastens
his seat-belt. The aluminum buckle glistens.
He is watched from behind by two upholstered knobs.
He thinks: strapped to things we drive or fly,