Catherine Barnett

Catherine Barnett Poems

So who mothers the mothers
who tend the hallways of mothers,
the spill of mothers, the smell of mothers,
...

What's funny about this place
is us regulars coming in with our different
accoutrements, mine usually the little void
of space I call honey, days
...

My father scolded us all for refusing his liquor.
He kept buying tequila, and steak for the grill,
until finally we joined him, making margaritas,
cutting the fat off the bone.

When he saw how we drank, my sister
shredding the black labels into her glass
while his remaining grandchildren
dragged their thin bunk bed mattresses

first out to the lawn to play
then farther up the field to sleep next to her,
I think it was then he changed,
something in him died. He's gentler now,

quiet, losing weight though every night
he eats the same ice cream he always ate
only now he's not drinking,
he doesn't fall asleep with the spoon in his hand,

he waits for my mother to come lie down with him.
...

Mostly I'd like to feel a little less, know a little more.
Knots are on the top of my list of what I want to know.
Who was it who taught me to burn the end of the cord
to keep it from fraying?
Not the man who called my life a debacle,
a word whose sound I love.
In a debacle things are unleashed.
Roots of words are like knots I think when I read the dictionary.
I read other books, sure. Recently I learned how trees communicate,
the way they send sugar through their roots to the trees that are ailing.
They don't use words, but they can be said to love.
They might lean in one direction to leave a little extra light for another tree.
And I admire the way they grow right through fences, nothing
stops them, it's called inosculation: to unite by openings, to connect
or join so as to become or make continuous, from osculare,
to provide with a mouth, from osculum, little mouth.
Sometimes when I'm alone I go outside with my big little mouth
and speak to the trees as if I were a birch among birches.
...

So this morning I made a list

of obsessions and you were on it.

And waiting, and forgiveness, and five-dollar bills,

and despots, telescopes, anonymity, beauty,

silent comedy, and waiting.

I could forswear all these things

and just crawl back into the bed

you and I once slept in.

What would happen then?

Play any film backwards and it's elegy.

Play it fast-forward it's a gas.

I try not to get attached.

But Lincoln!

I see stars when I look at him.
...

My son took a picture of me
jumping the cemetery wall. Do it again,
he said, as if I'd got out too fast.
Pretend you're really climbing.

In the retake my lazy eye is half shut,
and the other is smiling or crying.
...

This evening I shared a cab with a priest
who said it was a fine day to ride cross town

with a writer. But I can't
finish the play I said,

it's full of snow.
The jaywalkers

walked slowly, a cigarette warmed
someone's hand.

Some of the best sermons
don't have endings, he said

while the tires rotated unceasingly
beneath us.

All over town people were waiting
and doubleparked and

making love and waiting.
The temperature dropped

until the shiverers zipped their jackets
and all manner of things started up again.
...

At school he studies the human body:
aorta, valve, muscle, vein.
At home he redesigns it
out of cardboard and twine
until it looks like a coat he might hang
on a hook with other missing coats.
...

iv.

I know agape means both dumbly
open and love not the kind of love
that climbed the stairs to you.
...

Except for the shirt pulled from the ocean,
except for her hands, which keep folding the shirt,
except for her body, which once held their bodies,

my sister wants everything back now-

If there were a god who could out of empty shells
carried by waves to shore
make amends-

If the ocean saved in a jar
could keep from turning to salt-

She's hearing things:

bird calling to bird,
cat outside the door,
thorn of the blackberry against the trellis.
...

I'm studying the unspoken.
"What?" my son asks.
"What are you looking at?"
But there is no explaining,
I can only speak the way light
falls, the way the cotton sheet
lays itself over his sleeping or resting
or dissolving body, touching him with
its ephemera, its oblivion.
...

The night is covered
in books and papers and child

and I like having him here,
sleeping loose and uninhibited.

The room fills with sleep
and the poor dummy heart

already straining at my seams
makes the tearing sound.

Fear. Or laughter.
Love,

the strangest
of all catastrophes.
...

Not wanting to be alone
in the messy cosmology
over which I at this late hour
have too much dominion,
I wander the all-night uptown Rite Aid
where the handsome new pharmacist,
come midnight, shows me to the door
and prescribes the moon,
which has often helped before.
...

When Gutenberg figured out
how to make letters that could be
rearranged he changed us all.

Once upon a time
I laid my head on books
and was surrounded by books

and bought books and rescued books
reminding me I had only
finite years in the book of my son,

whom I almost left for books,
to whom I leave my books.
...

Catherine Barnett Biography

Catherine Barnett is an American poet and educator. She is the author of The Game of Boxes (Graywolf Press, 2012) and Into Perfect Spheres Such Holes Are Pierced (Alice James Books, 2004), winner of the Beatrice Hawley Award. Her honors include a Whiting Writer's Award and a Guggenheim Fellowship. She has published widely in journals and magazines including The American Poetry Review, Barrow Street, The Iowa Review, The Kenyon Review, The Massachusetts Review, Pleiades, The Virginia Quarterly Review, and The Washington Post. Barnett is an instructor at New York University[1] and The New School and has been the Visiting Poet at Barnard College. As poet-in-residence at the Children’s Museum of Manhattan, she teaches writing to young mothers in New York City’s shelter system. She also works as an independent editor and recently collaborated with the composer Richard Einhorn on the libretto for "The Origin," his multimedia oratorio about the life of Charles Darwin. In addition, she is a member of the Alice James Books Cooperative Board. She received her B.A. from Princeton University and an MFA from Warren Wilson College MFA Program for Writers.)

The Best Poem Of Catherine Barnett

Chorus

So who mothers the mothers
who tend the hallways of mothers,
the spill of mothers, the smell of mothers,
who mend the eyes of mothers,
the lies of mothers scared
to turn on lights in basements
filled with mothers called by mothers in the dark,
the kin of mothers, the gin of mothers,
mothers out on bail,
who mothers the hail-mary mothers
asleep in their stockings
while the crows sing heigh ho carrion crow,
fol de riddle, lol de riddle,
carry on, carry on—

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