Comments about Linda Bierds
—National Gallery, London
Or lion. Too little marble left for certainty:
affixed to a bone-like armature, just a flank
and scored shoulder, and far down the missing,
crouching shape, a single, splay-toed paw.
The companion, or mate, is better formed
and offers a template to trace a bit, image to absence
to memory, until the lioness fills.
The exhibit is Fragments and Dislocations:
Sight and Sightlessness. Across the room
in Renaissance, the painter, retinas tattered
as a saint's hem, might have filled a lioness