The substance that stirs in my palm
could well be a dead man; no need
to show surprise at the dizzy acts of wind.
My old father sitting uncertainly three feet away
is the slow cloud against the sky:
so my heart's beating makes of me a survivor
over here where the sun quietly sets.
The ways of freeing myself:
the glittering flowers, the immensity of rain for example,
which were limited to promises once
have had the lie to themselves. And the wind,
that had made simple revelation in the leaves,
plays upon the ascetic-faced vision of waters;
and without thinking
something makes me keep close to the walls
as though I was afraid of that justice in the shadows.
Now the world passes into my eye:
the birds flutter toward rest around the tree,
the clock jerks each memory towards
the present to become a past, floating away
like ash, over the bank.
My own stirrings like the wind's
keep hoping for the solace that would be me
in my father's eyes
to pour the good years back on my;
the dead man who licks my palms
is more likely to encourage my dark intolerance
rather than turn me
toward some strangely solemn charade:
the dumb order of the myth
lined up in the life-field,
the unconcerned wind perhaps truer than the rest,
rustling the empty, bodiless grains.