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I
Some day I will go to Aarhus To see his peat-brown head, The mild pods of his eye-lids, His pointed skin cap.
In the flat country near by Where they dug him out, His last gruel of winter seeds Caked in his stomach,
Naked except for The cap, noose and girdle, I will stand a long time. Bridegroom to the goddess,
She tightened her torc on him And opened her fen, Those dark juices working Him to a saint's kept body,
Trove of the turfcutters' Honeycombed workings. Now his stained face Reposes at Aarhus.
II
I could risk blasphemy, Consecrate the cauldron bog Our holy ground and pray Him to make germinate
The scattered, ambushed Flesh of labourers, Stockinged corpses Laid out in the farmyards,
Tell-tale skin and teeth Flecking the sleepers Of four young brothers, trailed For miles along the lines.
III
Something of his sad freedom As he rode the tumbril Should come to me, driving, Saying the names
Tollund, Grauballe, Nebelgard, Watching the pointing hands Of country people, Not knowing their tongue.
Out here in Jutland In the old man-killing parishes I will feel lost, Unhappy and at home.
Seamus Heaney
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Read poems about / on: freedom, winter, sad, people, lost, home, dark, time, brother, work
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Comments about this poem (The Tollund Man
by
Seamus Heaney
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Seamus Heaney
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Johnny Muir
(6/17/2008 8:27:00 AM) |
Hi, I work for the BBC in Belfast and am working on a documentary to mark Seamus Heaney's 70th birthday. His work is studied (and written about in exams) by people all over the world and I am trying to find out what impact it has them. In this poem he writes about events in prehistoric Northern Europe - yet it clearly has a resonance today. I would love to hear anyone's comments on what Heaney's poetry means to them. Tell me about individual poems that have made an impact on you and why!
Cheers,
johnny.muir@bbc.co.uk
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Nenita24 Mbaye
(5/11/2007 4:59:00 PM) |
Compliments of the day to you.
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miss nenita
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