Lady Caroline Lamb Biography

The Lady Caroline Lamb (13 November 1785 – 26 January 1828) was a British aristocrat and novelist, best known for her 1812 affair with Lord Byron. Her husband was the 2nd Viscount Melbourne, the Prime Minister, however, she was never the Viscountess Melbourne because she died before he succeeded to the peerage; hence, she is known to history as Lady Caroline Lamb.

She was the only daughter of the 3rd Earl of Bessborough and Henrietta, Countess of Bessborough. Her social credentials also included being niece of Georgiana Cavendish, Duchess of Devonshire, and cousin (by marriage) of Annabella, Lady Byron.

Lamb's most famous work is Glenarvon, a Gothic novel that was released in 1816 just weeks after Byron's departure from England. Although published anonymously, Lamb's authorship was an open secret. It featured a thinly disguised pen-picture of herself and her former lover, who was painted as a war hero who turns traitor against the cause of Ireland. The book was notable for featuring the first version of the Byronic hero outside of Byron's own work as well as a detailed scrutiny of the Romantic Period and, more specifically, the Ton.Lamb included scathing caricatures of several members of those prominent society members.[8] One of them, Lady Jersey, canceled Lamb's vouchers to Almack's in retribution for the Lamb's characterizations. This was the opening salvo in a backlash that found Lamb blackballed from fashionable society.

Byron responded to the novel; "I read Glenarvon too by Caro Lamb….God damn!" The book was a financial success that sold out several editions but was dismissed by critics as pulp fiction. However, later scholars like the philosopher Goethe deemed it worthy of serious literary consideration.

In 1819, Lamb put her ability to mimic Byron to use in the narrative poem "A New Canto." Years before, Lamb had impersonated Byron in a letter to his publishers in order to have them send her a portrait of Byron. It worked; the tone and substance of her request fooled them into sending the painting.[8] She used that skill to respond to Byron's "Don Juan I and II". Lamb was most concerned with those allusions Byron had made about her; for example, the line "Some play the devil—and then write a novel” from "Don Juan II". In "A New Canto", Lamb wrote - as Byron - "I’m sick of fame; I’m gorged with it; so full I almost could regret the happier hour; When northern oracles proclaimed me dull." Byron never publicly responded to the poem. A reviewer of the time opined, in part; "The writer of this lively nonsense has evidently intended it as an imitation of Lord Byron. It is a rhapsody from beginning to end."

Lamb published three additional novels during her lifetime: Graham Hamilton (1822), Ada Reis (1823), and Penruddock (1823).