I appreciate nature's way of painting.
She uses for substrate any organic
or man-made matter.
She does it naturally, seductively
and at times oh so lethally.
An ever-ready-to-bite apple
skillfully embedded in the weave
of a well-painted tableau tastes akin
to a Belgian linen canvas
and if poorly executed, its aftertaste
approximates cotton duck
made somewhere in the Far East.
That is the prime difference
between a filet mignon and
a Chateaubriand or London broil.
It's not only a matter of price
but the fine line separating
cannibals from carnal taste buds.
~~~
This poem has not been translated into any other language yet.
I would like to translate this poem