All those sketches he left behind -
endless series of repetitions: bunches of muscles, sinews,
knuckles, joints, the entire machinery
of driving-belts and levers with which
a horse moves,
and out of thousands of hair-thin little lines, the skin
almost invisibly gently disappearing into the paper
of ears and eyelids, nostrils,
skin of the soul -
he must have wanted to find out how a horse
is made and have realized
it can't be done,
how the secret of a horse grew and grew
beneath his pencil.
Made the most splendid designs, studied them,
discarded them.
This poem has not been translated into any other language yet.
I would like to translate this poem