I Will Write In The Manner Of Joseph Poem by Liza Sud

I Will Write In The Manner Of Joseph

I will write in the manner of Joseph
So that no one would guess,
But so that when translating poems -
One will save the correct sense.

Mr. Park. Petersburg. Loneliness.
Tongue confusing for everyone.
As the sun in the night's - the prophecy -
that the roar of the work would calm.

Not a verbiage - the rhythm of breathing,
Not the sense - but the transfer of
The Light of the angelic consciousness
Through the synchronous slot of words.

When will I return to the Fatherland?
Question beats as the fortune's tune.
Any time you convey humanity -
all are native and God with you.

***
Напишу стихи в стиле Иосифа,
Чтобы было не разгадать,
Только так, чтобы при переводе их
Смысл бы точно смогли передать.

Мистер Пак. Петербург. Одиночество.
Непонятный для всех язык.
И как солнце в ночи пророчество -
Чтобы гул от завода стих.

Не набор слов, а ритм дыхания,
Не значение - перенос
Света ангельского сознания
Сквозь синхронную прорезь слов.

Когда я возвращусь в Отечество?
Как мотив судьбы, бьет вопрос.
В любой миг твоей человечности -
все родные, и с вами - Бог.

Monday, February 29, 2016
Topic(s) of this poem: poetry
COMMENTS OF THE POEM
Daniel Brick 29 February 2016

THE SUN IN THE NIGHT'S - this refers to the White Nights, all day and night bright! The spirit of Joseph Brodsky is present in this poem: all through it he is keeping watch. He was the first foreign-born poet to become Poet Laureate of the USA. He was very generous in his regard for American poets. I wish I could have heard him read! The synchronous slot of words is the perfect lines of poetry you learned from him. And his and your content, the meaning your poems carry, involves the transfer of the Light of angelic consciousness. Poetry that is a conduit of spiritual energy or grace from one dimension to another. Writing in Joseph's manner opens your poetry to the higher dimension of being. Poetry and prayer meet and join themselves together at some point in this ascent.

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