The diffused northern sunlight
of this studio at dawn
matches the silence and the stillness
like the speaking silence
of the retrochoir behind the altar
of a simple white Greek island church –
that has no ornament; simply walls
painted in a pale blue wash,
the space, the air itself, as radiant with heaven;
behind the iconostasis – gold and candle and eternal gaze -
where praise is prepared; thought surrendered;
humility the robe; the sacred word awaits
the moment when it’s spoken;
so this studio; and at its centre, calling,
stands an easel with a white canvas on it;
what waits in this empty studio
that’s so full of emptiness that calls?
what challenges? This canvas
waits, as being ever does; full, content,
needing nothing but itself…
the silence will accept our spoken word,
then return to stillness;
the canvas will not be so forgiving;
‘make a mark on me that will not diminish
my completeness…; so let our being
meet, before a mark is made…’
this holy place: only godself may mark
this canvas and yet not detract; from space,
draw space; or may with colour stain transparent
this white white radiance of eternity:
and in the place whence all arises,
Nothing and Everything smile together
in their secret play.
This poem has not been translated into any other language yet.
I would like to translate this poem
Such grace has this poem with so many levels, each one their own space has. If I had a hat to wear I’d take it off to you. Perhaps I’ll go find a hat to wear and take it off to you. Dear Mr Shepherd, apologies if I sound rather silly but this is a masterpiece! ‘make a mark on me that will not dimish my completeness’ You have made an huge impression and perhaps even enhanced my completeness of mind. thank you Alison Mary