Terence George Craddock (Spectral Images and Images Of Light)
Historical Distortion - Poem by Terence George Craddock (Spectral Images and Images Of Light)
History is distorted obscured
allured out of focus. Blanks left.
Missing pieces of fragments. Past
conspired. Planning plots schemes.
In poured over parchments. Stitched
together. Academic political reconstructions.
Which will join. We accept. With calculated.
Grudgingly heeded argumentative ploy debate.
Realism has conceit deception puzzling seams.
History is distorted
blurred out of focus.
By willful intrigues
in dim dusty past.
In ultra-deceiving present.
Gaze upon, face of Sphinx
is not, to gaze upon,
created artistic reality.
Sphinx timelessly crouching
in scorching sands.
What happened to conceived
Circumstances conspired, to change,
represented, real appearance.
Turkish cannon balls aimed
in practice, have stripped,
mythically blown clean off.
Moustache depicted on you?
What enigma is thus shorn
from original hair lined lip.
must change. Meaning applied
to pre-historic time capsule.
Beneath outstretching hand of paw.
Copyright © Terence George Craddock
Written in July 1989 on the 20&22.7.1989.
Poet's Notes about The Poem
'In addition to the lost nose, a ceremonial pharaonic beard is thought to have been attached, although this may have been added in later periods after the original construction. Egyptologist Rainer Stadelmann has posited that the rounded divine beard may not have existed in the Old or Middle Kingdoms, only being conceived of in the New Kingdom to identify the Sphinx with the god Horemakhet. This may relate to a later fashion of pharaohs, which was to wear a plaited beard of authority—a false beard (chin straps are actually visible on some statues) , since Egyptian culture mandated that men be clean shaven. Pieces of this beard are today kept in the British Museum and the Egyptian Museum'
European visitors to Egypt prior to Napoleon's expedition had already discovered the vandalism to the Sphinx. In 1546, for example, when Dr. Pierre Belon explored Egypt, he visited 'the great colossus.' 'The Sphinx, ' writes Leslie Greener in The Discovery Of Egypt (London: Cassell,1966) , p.38, by this time 'no longer [had] the stamp of grace and beauty so admired by Abdel Latif in 1200.' Greener goes on to say: 'this exonerates the artillerymen of Napoleon Bonaparte, who have the popular reputation of having used the nose of the Sphinx as a target.' The charge against Napoleon is particularly unjust because the French general brought with him a large group of 'savants' to conduct the first scientific study of Egypt and its antiquities.
This error has persisted in spite of the fact that the truth can be readily found in such common reference sources as the Encyclopedia Americana> (Danbury, CT: Grolier,1995) . vol.25, p.492-3 under 'Sphinx', which states: 'Over the centuries the Great Sphinx has suffered severely from weathering...Man has been responsible for additional mutilation. In 1380(?) A.D. the Sphinx fell victim to the iconoclastic ardor of a fanatical Muslim ruler, who caused deplorable injuries to the head. Then the figure was used as a target for the guns of the Mamluks.' In the book The Egyptian Pyramids: A Comprehensive Illustrated Reference (Jefferson, NC: McFarland,1990) , p.301, the author, J.P. Lepre, adds the fact that, in addition to the 14th century damage, 'The face was further disfigured by the eighteenth century A.D. ruler of Egypt, the Marmalukes [Mamluks].'
Although popular legend blames Napoleon and his troops during the French campaign in Egypt (1798-1801) for having shot the nose off the Great Sphinx, this story is not true. Napoleon allegedly had a few cannon balls fired at the face of the spinx. 'High explosive shells were not invented in those days.' [From: Sommers, Cecil. Temporary Crusaders. (London: John Lane,1919) Chapter VI. '19th April.'] Another book from about the same time (In the Footsteps of Napoleon (1915) by James Morgan, p 85) states 'There is a tradition among the Arabs of the Pyramids that all the scars of time and the wounds of a hundred wars, which the Sphinx carries, were inflicted by Napoleon's soldiers, who used its mystifying and majestic countenance as a target. That, however, is only a legend for the tourist. Long before the discovery of gunpowder, the Arabs had laid iconoclastic hands on the beard of this god of the desert...' Though the Arab guides may have spread this tale, this myth has been perpetuated over the years by countless teachers the world over who have passed this bit of 'history' on to their students.
A poll conducted on the Internet found that fully 21% of respondents believed Napoleon was responsible for the Sphinx's missing nose. One of the most recent examples of the persistence of this falsehood was Louis Farrakhan's 'Million Man March' speech where he said: 'White supremacy caused Napoleon to blow the nose off the Sphinx because it reminded you [sic] too much of the Black man's majesty.' And the perpetuation of this myth in 'Afrocentric' circles was even the subject of a segment of the U.S. television investigative journalism
program '60 Minutes.'
Did Napoleon's troops shoot the nose off the Sphinx? No.
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