(on the music of Arvo Part)
yesterday you wrote
inscribed and ever inscribing
in the pooling of mirrors
crushing the kaleidoscopic colours
of feelings past music into an undiscovered realm
or as if angelic beings held enormous
mirrors reflecting music back
from its beginning in a universe
we could not know or forgot that we knew
or were we driven in fear from the yard of gold
by the dogs with eyes as enormous as teacups, windmills
in a neighborhood of sounds distressed
compressed our hearts, boiling with the lids on tight
so that you alone guessed and then took note
in notes as rare as certain birdsong at night
did you wake to hear? sheer
refractions of the rose, the violet, the forest shards
ah children turn again, you whispered, Christmas uncle
that you are
and then it works
the battered toy, the hidden borealis, star
no longer receding
and in your midnight watches so composed
beyond the guarded borders of our sighs
of the whirling angels, list! that we all stood still
a kind of requiem in ourselves and then, the glorias
weeping that this music filled
an ache in the soul
never before comprehended
mary angela douglas 2 october 2016; rev.23 january 2018; 28 june 2019
This is an well-woven synthesis of themes: 1) the tie between cosmogenesis and music; 2) mirroring of light from one realm to another; 3) distraction and unease; 4) the ache of a broken connection to innocent vision; 5) mediation by creative works to restore that connection. Even birds enter the tapestry.
This poem has not been translated into any other language yet.
I would like to translate this poem
INSCRIBED AND EVER INCRIBING/ IN THE POOLING OF MIRRORS// CRUSHING THE KALEIDOSCOPIC COLORS/ OF FEELINGS PAST MUSIC...these lines are haunting... their atmosphere will stay with me.