Robert Browning
Robert Browning Poems
That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fr Pandolf's hands
Worked busily a day, and there she stands
...
Let's contend no more, Love,
Strive nor weep:
All be as before, Love,
---Only sleep!
...
That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!
...
Take the cloak from his face, and at first
Let the corpse do its worst!
How he lies in his rights of a man!
...
The rain set early in to-night,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
...
Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
...
Beautiful Evelyn Hope is dead!
Sit and watch by her side an hour.
That is her book-shelf, this her bed;
She plucked that piece of geranium-flower,
Beginning to die too, in the glass;
...
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
...
I.
I said---Then, dearest, since 'tis so,
Since now at length my fate I know,
...
That was I, you heard last night,
When there rose no moon at all,
Nor, to pierce the strained and tight
Tent of heaven, a planet small:
Life was dead and so was light.
...
So far as our story approaches the end,
Which do you pity the most of us three?---
My friend, or the mistress of my friend
With her wanton eyes, or me?
...
How well I know what I mean to do
When the long dark autumn-evenings come:
And where, my soul, is thy pleasant hue?
With the music of all thy voices, dumb
In life's November too!
...
So, I shall see her in three days
And just one night, but nights are short,
Then two long hours, and that is morn.
See how I come, unchanged, unworn!
...
It was roses, roses, all the way,
With myrtle mixed in my path like mad:
The house-roofs seemed to heave and sway,
...
Heap cassia, sandal-buds and stripes
Of labdanum, and aloe-balls,
Smeared with dull nard an Indian wipes
From out her hair: such balsam falls
...
The grey sea and the long black land;
And the yellow half-moon large and low;
And the startled little waves that leap
In fiery ringlets from their sleep,
...
But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
...
Oh, to be in England
Now that April's there,
And whoever wakes in England
Sees, some morning, unaware,
...
Room after room,
I hunt the house through
We inhabit together.
Heart, fear nothing, for, heart, thou shalt find her---
...
Robert Browning Biography
The son of Robert Browning, a Bank of England clerk, and Sarah Anna Wiedemann, of Scottish-German descent, Browning received little formal education. His learning was gleaned mainly from his Father's library at home in Camberwell, South London, where he learnt something, with his Father's help, of Latin and Greek and also read Shelly, Byron and Keats. Though he attended lectures at the University of London in 1828, Browning left after only one session. Apart from a visit to St Petersburg in 1834 and two visits to Italy in 1838 and 1844, Browning lived with his parents in London until his marriage of 1846. It was during this period that most of the plays and the earlier poems were written and, excepting Strafford, published at his family's expense. After the secretly held marriage to Elizabeth Barrett in 1846, Browning and wife travelled to Italy where they were, apart from brief holidays in France and England, to spend most of their married life together. In 1849 the couple had a son, Robert 'Pen' Browning, and it was Elizabeth who, during this time, was most productive. After her death in 1861, Browning returned to England with his son, where he achieved popular acclaim for his Dramatis Personae and The Ring and the Book. He spent the remainder of his life, excepting holidays in France, Scotland, Italy and Switzerland, in London where he wrote a number of dramatic poems, the two series of Dramatic Idylls (1879,1880) and poems on primarily classical subjects: Balaustion's Adventure (1871) and Aristophone's Apology (1875). He died in Venice whilst holidaying in 1889 and was buried at Westminster Abbey.)
The Best Poem Of Robert Browning
My Last Duchess
FERRARA.
That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fr Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
``Fr Pandolf'' by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Fr Pandolf chanced to say ``Her mantle laps
``Over my lady's wrist too much,'' or ``Paint
``Must never hope to reproduce the faint
``Half-flush that dies along her throat:'' such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart---how shall I say?---too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace---all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,---good! but thanked
Somehow---I know not how---as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech---(which I have not)---to make your will
Quite clear to such an one, and say, ``Just this
``Or that in you disgusts me; here you miss,
``Or there exceed the mark''---and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
---E'en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will't please you rise? We'll meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay, we'll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
Robert Browning Comments
Grow old along with me! The best is yet to be, the last of life, for which the first was made: our times are in His hand who saith A whole I planned, youth shows but half; trust God: see all, nor be afraid...! '' (Robert Browning) ''Grow old along with me! The best is yet to be, the last of life, for which the first was made: '' IN ITALIAN: ''Invecchia con me! Il meglio deve ancora venire, Il tramonto della vita, per cui l'alba fu creata: ''
the lines in the box below are from Browning's poem 'Rabbi Ben Ezra': This is the full 1st stanza: Grow old along with me! The best is yet to be, The last of life, for which the first was made: Our times are in His hand Who saith ''A whole I planned, Youth shows but half; trust God: see all, nor be afraid! ''
I always thought Browning was a man's poet. He's certainly a very special, unique one.
I endorse my own opinion below. Browning never goes out of date. His love poems, lyrics, and dramatic monologues speak to me today.
His long poems in free verse can look old-fashioned now, but they still speak to us, if we read them closely enough, not rushing through them. Browning was a psychologist, and his characters unconsciously reveal their true nature in the dramatic monologues.I think that Browning is a more modern poet than the other Victorians.
Robert Browning Popularity
Robert Browning Popularity
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8/9/2022 11:01:56 PM # 1.0.0.1018
Browning is a much-neglected poet from the Victorian era. His 'The Patriot' is totally brilliant, not to mention his 'My Last Duchess' - a GCSE text for many. Like so many other poets he lives under the shadow of Shakespeare - we read and see his material endlessly unlike that of Browning and others. But Browning knew that and wrote anyway. His unifying influence by way of poetry and pre-Freudian psychology is unmatched.