I Am Proud Of Diego Rivera, Poem by Liza Sud

I Am Proud Of Diego Rivera,

I am proud of Diego Rivera,
Who created a fresco
With Lenin and Rockefeller
Ordered then to erase it.

Rockefeller fired Diego
For the laconic reply
Refusing to change face of Lenin
So that no one recognized.

Diego returned to Mexico
Where restored the fresco:
The hands of workers in Mexico
Were united by Lenin.

Rockefeller didn't pay
Money to Diego Rivera,
But the world didn't forget
The destroyed fresco: Lenin.

***
Я горжусь Диего Ривера,
Который фреску создал
С Лениным, а Рокфеллер
Ее потом затирал.

Рокфеллер уволил Диего,
За лаконичный отказ
Лицо изменить Ленина,
Чтоб никто его не узнал.

Диего уехал в Мексику
И фреску восстановил:
И руки рабочих в Мехико
Ленин соединил.

Рокфеллер не заплатил
Денег Диего Ривере,
Но весь мир не забыл
Сбитую фреску: Ленин.

I Am Proud Of Diego Rivera,
Monday, June 19, 2017
Topic(s) of this poem: art,great leaders
POET'S NOTES ABOUT THE POEM
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera (Spanish pronunciation: [ˈdjeɣo riˈβeɾa]; December 8,1886 - November 24,1957) was a prominent Mexican painter. His large frescoes helped establish the Mexican mural movement in Mexican art.
His mural Man at the Crossroads, begun in 1933 for the Rockefeller Center in New York City, was removed after a furor erupted in the press over a portrait of Vladimir Lenin it contained. When Diego refused to remove Lenin from the painting, Diego was ordered to leave. One of Diego's assistants managed to take a few pictures of the work so Diego was able to later recreate it. The American poet Archibald MacLeish wrote six 'irony-laden' poems about the mural.[25] The New Yorker magazine published E. B. White's poem 'I paint what I see: A ballad of artistic integrity'.[26] As a result of the negative publicity, a further commission was canceled to paint a mural for an exhibition at the Chicago World's Fair. Rivera issued a statement that with the money left over from the commission of the mural at Rockefeller Center (he was paid in full though the mural was supposedly destroyed. Rumors have floated that the mural was actually covered over rather than brought down and destroyed.) , he would repaint the same mural over and over wherever he was asked until the money ran out.

In December 1933, Rivera returned to Mexico, and he repainted Man at the Crossroads in 1934 in the Palacio de Bellas Artes in Mexico City. This surviving version was called Man, Controller of the Universe. On June 5,1940, invited again by Pflueger, Rivera returned for the last time to the United States to paint a ten-panel mural for the Golden Gate International Exposition in San Francisco.
COMMENTS OF THE POEM
Edward Kofi Louis 05 August 2017

To erase it! Thanks for sharing this poem with us.

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