Analysis Of The Bilingual Poem at The deep Bay Poem by William He

Analysis of the Bilingual Poem 'At the Deep Bay'
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At the Deep Bay 
By William He 

Neptune with the cadence gliding,  
Waves the companions to night crawlers,  
Upon the clouds of glorious blue. 
Drones on fields of concrete flowered with lights,  
Starbursts of pink and bright neon green. 
Darkening of the light and the silence,  
Hibiscus bushes adorned the pathway,  
She would make a sound as thin and sweet. 
A queer thing about those waters,  
A waking memories of the black spoonbill now. 

Ages weave and thrown as inconsequential debris,  
In the deep roar of its harsh tides,  
Wild gooses from the North scattered in a day. 
Dull tides were giving a void within the filmy Heaven,  
Chain-link fences wrapped them like clung skins. 
Street lying as a shattered serpent,  
Which was whizzing its thin tremolo,  
Time-eaten kolkhozes trembling in their legs. 
A place for the fast and furious,  
No one waits for the other person once more. 

William He's poem 'At the Deep Bay'is a striking visualization of the natural and urban features of a particular location. The poem explores the atmosphere of Shenzhen's Deep Bay, contrasting the peaceful movements of the waves and tides with the bustling cityscape that lies beyond it. The poem uses vivid sensory details to convey a sense of place, evoking the beauty of nature as well as the harshness of urbanization.

The poem opens with an image of Neptune - a mythological god associated with the sea - gliding with cadence through the waves as he waves companions to night crawlers. This powerful opening statement reflects the motif of Shenzhen- a city built on water. The clouds above are described as being 'glorious blue', conveying the grandeur and scale of the natural sky above. However, even in the face of such beauty and majesty, the image of the fields of concrete in contrast bring forth the stark reality of urbanization's disregard for nature.

The use of the word 'drones'to describe the fields of concrete that flower with lights is used to draw a parallel from a hive-like existence to that of the city. The 'starbursts'of pink and neon green imply an element of fun and play which seems to contrast against the somber atmosphere that subsequently takes hold. The 'darkening'of both the light and the silence suggest an ominous quality and a sense of foreboding. The hibiscus bushes mentioned in the next line depict beauty and grace, giving a sense of hope for the continuation of nature in this urban landscape. The'thin and sweet'sound adds to the beauty of the environment and gives a calm, serene feel.

Continuing into the second stanza, the sense of tranquility and peace is instantly disrupted by the harsh reality of the 'deep roar' of the tides. The harshness of the sea's waves emulates the harshness of modern-day urbanization. The contrast of the'wild gooses'of the North being scattered in a single day aside the inconsequential debris makes it clear that Shenzhen is a city that is constantly on the go, and there is no time to wait for anything.

The metaphorical usage of void fits clear the desolation that results from urbanization, and the chain-link fences reinforces the conflicting disconnect between nature and the advancing industrialized urbanization. The city is presented as a'shattered serpent' - the shattered aspect alludes to the effects that the widespread industry and manufacturing has on the environment of Shenzhen. The 'thin tremolo'suggests underlying fears and anxiety as to what the future holds, and which direction the city should take.

The final stanza is particularly impactful as it captures the monotony of urbanization. The fast-paced nature of city life is shown through the assertion that 'no one waits for the other person once more'. The use of the term 'fast and furious' conveys the sense of constant movement and rush that characterizes life in urban centers. The conclusion of the poem reinforces the sentiment that with the rise of industrialization, nature has taken a backseat, resulting in the ill-effects of urbanization on the natural world that surrounds it.

In conclusion, William He's 'At the Deep Bay' presents an eye-catching visual of a complex relationship between the natural and industrialized worlds. The imagery and language used provide a rich and detailed portrayal of the area of Shenzhen, evoking both admiration and a warning for how the environment must be treated. The poem presents the reader with the reality and consequences of industrialization on nature, questioning if nature can persevere if urbanization persists at the current rate.