Power Poems

I thought that my voyage had come to its end
at the last limit of my power,---that the path before me was closed,
that provisions were exhausted
and the time come to take shelter in a silent obscurity.
...

The quality of mercy is not strain'd.
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest:
It blesseth him that gives, and him that takes.
...

She,
In the dark,
Found light
Brighter than many ever see.
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The happiest day- the happiest hour
My sear'd and blighted heart hath known,
The highest hope of pride and power,
I feel hath flown.
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He was selected
From among the finest
Of all men
To carry the loads
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Happy the man, and happy he alone,
He who can call today his own:
He who, secure within, can say,
Tomorrow do thy worst, for I have lived today.
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January 1912, Mzansi brought forth a child
In a harsh political climate
Destined to free her people
Bound to cruel Fate
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"Am I, at bottom, that fervent little Spanish Catholic child who chastised herself for loving toys, who forbade herself the enjoyment of sweet foods, who practiced silence, who humiliated her pride, who adored symbols, statues, burning candles, incense, the caress of nuns, organ music, for whom Communion was a great event? I was so exalted by the idea of eating Jesus's flesh and drinking His blood that I couldn't swallow the host well, and I dreaded harming the it. I visualized Christ descending into my heart so realistically (I was a realist then!) that I could see Him walking down the stairs and entering the room of my heart like a sacred Visitor. That state of this room was a subject of great preoccupation for me. . . At the ages of nine, ten, eleven, I believe I approximated sainthood. And then, at sixteen, resentful of controls, disillusioned with a God who had not granted my prayers (the return of my father), who performed no miracles, who left me fatherless in a strange country, I rejected all Catholicism with exaggeration. Goodness, virtue, charity, submission, stifled me. I took up the words of Lawrence: "They stress only pain, sacrifice, suffering and death. They do not dwell enough on the resurrection, on joy and life in the present." Today I feel my past like an unbearable weight, I feel that it interferes with my present life, that it must be the cause for this withdrawal, this closing of doors. . . I am embalmed because a nun leaned over me, enveloped me in her veils, kissed me. The chill curse of Christianity. I do not confess any more, I have no remorse, yet am I doing penance for my enjoyments? Nobody knows what a magnificent prey I was for Christian legends, because of my compassion and my tenderness for human beings. Today it divides me from enjoyment in life."
p. 70-71

"As June walked towards me from the darkness of the garden into the light of the door, I saw for the first time the most beautiful woman on earth. A startling white face, burning dark eyes, a face so alive I felt it would consume itself before my eyes. Years ago I tried to imagine true beauty; I created in my mind an image of just such a woman. I had never seen her until last night. Yet I knew long ago the phosphorescent color of her skin, her huntress profile, the evenness of her teeth. She is bizarre, fantastic, nervous, like someone in a high fever. Her beauty drowned me. As I sat before her, I felt I would do anything she asked of me. Henry suddenly faded. She was color and brilliance and strangeness. By the end of the evening I had extricated myself from her power. She killed my admiration by her talk. Her talk. The enormous ego, false, weak, posturing. She lacks the courage of her personality, which is sensual, heavy with experience. Her role alone preoccupies her. She invents dramas in which she always stars. I am sure she creates genuine dramas, genuine chaos and whirlpools of feelings, but I feel that her share in it is a pose. That night, in spite of my response to her, she sought to be whatever she felt I wanted her to be. She is an actress every moment. I cannot grasp the core of June. Everything Henry has said about her is true."
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In Köhln, a town of monks and bones,
And pavements fang'd with murderous stones
And rags, and hags, and hideous wenches ;
I counted two and seventy stenches,
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The story's told
Of long ago
About a statue
With a head of gold
...

the power is the
superhuman ability
the power is the superhuman,
sense of ability
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Power of politician
Vote bank

Power of reformer
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I

My Savior, Amida Buddha
...

author notes: my writing is called philosophical writing. i only uses middle ages words, words liked gracious, extravaganza, etc… this poem is about a skill is a skilled man power. i don't add capitalization's on my writing.

the 20th century is the man power of the 20th century
the 20th century is the stool of the 20th century
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Power, sheer power
Don't be at ease
Power is not at the hour
What we think it is.
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This is Powerful

Power rightly used is powerful
Power justly used is masterful
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Wielding power.
Power
to control,
dominate.
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Power is power
At the root of doing something,
Break it up
The power it can accept,
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Majority is power in the democracy of any nation in the world;
Unity is power in the open stadium all witnessing world match;
Unity is power in the festivals of deities of all religions;
Unity of poets is power in the international poetic confluence!
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Shouting

Black Power on top of our lungs, our fists lifted up, Black Power we say. Black Power we have not yet, buying power we have but do not use. Black Power we desire but brain Power we do not build.
...