Matsuo Basho

Matsuo Basho Poems

Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:
...

2.

A bee
staggers out
of the peony.
...

Autumn moonlight--
a worm digs silently
into the chestnut.
...

A snowy morning--
by myself,
chewing on dried salmon.
...

A field of cotton--
as if the moon
had flowered.
...

A monk sips morning tea,
it's quiet,
the chrysanthemum's flowering.
...

A caterpillar,
this deep in fall-
still not a butterfly.
...

Waking in the night;
the lamp is low,
the oil freezing.
...

Don't imitate me;
it's as boring
as the two halves of a melon.
...

Winter solitude--
in a world of one color
the sound of wind.
...

A cicada shell;
it sang itself
utterly away.
...

Sick on my journey,
only my dreams will wander
these desolate moors
...

Awake at night--
the sound of the water jar
cracking in the cold.
...

old pond.....
a frog leaps in
water's sound
...

At a hermitage:

A cool fall night--
getting dinner, we peeled
...

First day of spring--
I keep thinking about
the end of autumn.
...

Kori nigaku enso ga nodo o uruoseri


Bitter–tasting ice —
...

A weathered skeleton
in windy fields of memory,
piercing like a knife
...

Spring:
A hill without a name
Veiled in morning mist.
...

Chilling autumn rains
curtain Mount Fuji, then make it
more beautiful to see
...

Matsuo Basho Biography

Bashō was born Matsuo Kinsaku around 1644, somewhere near Ueno in Iga Province. His father may have been a low-ranking samurai, which would have promised Bashō a career in the military but not much chance of a notable life. It was traditionally claimed by biographers that he worked in the kitchens. However, as a child Bashō became a servant to Tōdō Yoshitada, who shared with Bashō a love for haikai no renga, a form of cooperative poetry composition. The sequences were opened with a verse in the 5-7-5 mora format; this verse was named a hokku, and would later be renamed haiku when presented as stand-alone works. The hokku would be followed by a related 7-7 addition by another poet. Both Bashō and Yoshitada gave themselves haigō, or haikai pen names; Bashō's was Sōbō, which was simply the on'yomi reading of his samurai name of Matsuo Munefusa. In 1662 the first extant poem by Bashō was published; in 1664 two of his hokku were printed in a compilation, and in 1665 Bashō and Yoshitada composed a one-hundred-verse renku with some acquaintances. Yoshitada's sudden death in 1666 brought Bashō's peaceful life as a servant to an end. No records of this time remain, but it is believed that Bashō gave up the possibility of samurai status and left home. Biographers have proposed various reasons and destinations, including the possibility of an affair between Bashō and a Shinto miko named Jutei, which is unlikely to be true. Bashō's own references to this time are vague; he recalled that "at one time I coveted an official post with a tenure of land", and that "there was a time when I was fascinated with the ways of homosexual love", but there is no indication whether he was referring to real obsessions or even fictional ones. He was uncertain whether to become a full-time poet; by his own account, "the alternatives battled in my mind and made my life restless". His indecision may have been influenced by the then still relatively low status of renga and haikai no renga as more social activities than serious artistic endeavors. In any case, his poems continued to be published in anthologies in 1667, 1669, and 1671, and he published his own compilation of work by him and other authors of the Teitoku school, Seashell Game, in 1672. In about the spring of that year he moved to Edo, to further his study of poetry. On his return to Edo in the winter of 1691, Bashō lived in his third bashō hut, again provided by his disciples. This time, he was not alone; he took in a nephew and his female friend, Jutei, who were both recovering from illness. He had a great many visitors. Bashō's grave in Ōtsu, Shiga Prefecture Bashō continued to be uneasy. He wrote to a friend that "disturbed by others, I have no peace of mind". He made a living from teaching and appearances at haikai parties until late August of 1693, when he shut the gate to his bashō hut and refused to see anybody for a month. Finally, he relented after adopting the principle of karumi or "lightness", a semi-Buddhist philosophy of greeting the mundane world rather than separating himself from it. Bashō left Edo for the last time in the summer of 1694, spending time in Ueno and Kyoto before his arrival in Osaka. He became sick with a stomach illness and died peacefully, surrounded by his disciples. Although he did not compose any formal death poem on his deathbed the following, being the last poem recorded during his final illness, is generally accepted as his poem of farewell: tabi ni yande / yume wa kareno wo / kake meguru falling sick on a journey / my dream goes wandering / over a field of dried grass)

The Best Poem Of Matsuo Basho

The Old Pond

Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:

Furuike ya
kawazu tobikomu
mizu no oto

- Basho



Literal Translation

Fu-ru (old) i-ke (pond) ya,
ka-wa-zu (frog) to-bi-ko-mu (jumping into)
mi-zu (water) no o-to (sound)


Translated by Fumiko Saisho



The old pond-
a frog jumps in,
sound of water.


Translated by Robert Hass



Old pond...
a frog jumps in
water's sound.


Translated by William J. Higginson



An old silent pond...
A frog jumps into the pond,
splash! Silence again.


Translated by Harry Behn



There is the old pond!
Lo, into it jumps a frog:
hark, water's music!


Translated by John Bryan



The silent old pond
a mirror of ancient calm,
a frog-leaps-in splash.


Translated by Dion O'Donnol



old pond
frog leaping
splash


Translated by Cid Corman



Antic pond-
frantic frog jumps in-
gigantic sound.


Translated by Bernard Lionel Einbond



MAFIA HIT MAN POET: NOTE FOUND PINNED TO LAPEL
OF DROWNED VICTIM'S DOUBLE-BREASTED SUIT! ! !

'Dere wasa dis frogg
Gone jumpa offa da logg
Now he inna bogg.'

- Anonymous


Translated by George M. Young, Jr.



Old pond
leap - splash
a frog.


Translated by Lucien Stryk



The old pond,
A frog jumps in:.
Plop!


Translated by Allan Watts



The old pond, yes, and
A frog is jumping into
The water, and splash.

Translated by G.S. Fraser

Matsuo Basho Comments

Fabrizio Frosini 21 January 2016

古池や蛙飛びこむ水の音 furu ike ya / kawazu tobikomu / mizu no oto an ancient pond / a frog jumps in / the splash of water [1686]

564 41 Reply
Fabrizio Frosini 21 January 2016

荒海や佐渡によこたふ天河 araumi ya / Sado ni yokotau / amanogawa the rough sea / stretching out towards Sado / the Milky Way [1689]

561 44 Reply
Fabrizio Frosini 19 January 2016

the 'FOUR GREAT': Matsuo Basho, Issa Kobayashi, Yosa Buson, Masaoka Shiki..

563 35 Reply
Judy Meibach 30 April 2010

I never quite understood haiku until I started reading the works of Basho - now I am studying haiku - and it is quite enlightening - something very different than the poetry that I have often been accustomed to.

159 121 Reply

How much can be said in so little words.I'm glad I finally discovered who wrote and invented the haiku.Thank you.I wrote some haiku based on THE OLD POND haiku-which is this poet's most famous.

134 120 Reply
Brezzo 11 May 2022

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0 0 Reply
Robert 07 February 2022

He is very cool man

0 0 Reply
ok 12 May 2021

nice

0 0 Reply
hi mr volpi 08 December 2020

i like haiku they cool

1 0 Reply
derre wasa dis frog 25 May 2020

me SI AWseesom! ! ! ! YEas 232323323332

1 0 Reply

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